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Showing posts with label Mistress Angel. Show all posts
Showing posts with label Mistress Angel. Show all posts

Monday, September 25, 2023

Phew! The streets of London, 14th-century style. Plus an excerpt from my London-based novella, "Mistress Angel".


Recently, I watched a BBC2 programme about medieval London and its sanitation problems. Dan Snow's vivid and interactive account - there was a small scratch-card, supplied by the Radio Times, which I sniffed at the right moment - told me much I already knew but it was overwhelming seeing and smelling it all at once. By the 14th century, London was a city of over 100,000, a teeming, dark, filthy smelling and sewerage-filled place. I was fascinated by the platform shoes medieval Londoners wore to try to wade through the sloppy streets and also by the work of the gong farmers - cleaners armed with rakes and shovels, working at night, trying to clean the streets.


This was a gruesome account at times, especially when Dan spoke of the medieval butchers and tanners, and then the horrors of the Black Death, which raged in London for two years (1348-50) but I shall be watching again, when the series recreates the stench of pre-revolution Paris.


For my medieval romances, I do not dwell on the stink of London (not very romantic!) but I do mention it, and the filth of the streets, in my novella, "Mistress Angel."


 My sweet to sensual Medieval Historical Romance "Mistress Angel" can be read for free with Kindle Unlimited and found at these places:



Amazon Com 

http://www.amazon.com/Mistress-Angel-Lindsay-Townsend-ebook/dp/B019AT3NAA/


Amazon Co UK

http://www.amazon.co.uk/Mistress-Angel-Lindsay-Townsend-ebook/dp/B019AT3NAA/


You can read an excerpt below


Historical Note.


The scene where Isabella is inside a golden cage suspended over the cobbled streets of London is based on a real event.  In May 1357 Prince Edward, whom we now call The Black Prince, escorted the captured king of France through London in a glittering victory procession. Londoners flocked to see this and the London guilds vied with each other to add to the spectacle. The London goldsmiths placed twelve maidens in golden cages above the route where the princes would pass.  In my novella, I make Isabella one of the maidens.

Child betrothals and child brides were a part of the Middle Ages. One of the most famous is Margaret Beaufort, who was married at just twelve and who became pregnant just before her thirteenth birthday. After a long and difficult labor she gave birth to a son who as Henry Tudor would become King of England and Wales. Even at the time the early consummation of her marriage was remarked on with some censure.  Margaret later was keen to ensure that her granddaughter was not sent to her betrothed the king of Scotland too young in case the king consummated the marriage at once and so injured her.

Excerpt 


Chapter 1


London, May 1357


     Isabella was reading a scolding letter from her mother when Sir William's man-servant John stepped into the workshop and jerked his head to the outside, holding the door open for her.

     She tucked the scrap of parchment into her belt and hurried into the back yard, lifting her skirts clear of the cloying mud. It was raining still, a light spring drizzle that had lasted for days and stirred up the usual offal and dung stink of London. She wrinkled her nose and covered her mouth with her hand.

     “Hurry!” John urged. “The master does not like to be kept waiting.”

     Isabella picked her way round a deep cart track and made for the stand of cherry and apple trees against the back boundary wall of her husband's family house. The tall, portly figure waiting beneath these trees was unmistakable, as was his goldsmith's livery, worn by most guild members only on festivals and holy days but as a regular costume by him. She bowed her head.

     Sir William waved his servant away. “You are too brown,” he grumbled as Isabella approached. “Are you a washer-wench, to be so brown? That will not do.”

     Naturally I am tanned, through outdoor work. She had been instructed by her husband's family to weed the garden plot and gather greens daily, all work beneath her, but Isabella knew better than to protest.

“My son?” she asked quickly.

     Sir William dismissed her anxious question with a sharp shake of his head. “Later,” he snapped. “When you prove your worth to us.”

     Isabella fixed her eyes on the golden tips of Sir William's gilt-edged shoes and strove to appear calm. She had been hearing variations of this and other complaints for years, and they held no sting for her. The absence of her son was altogether different. When may I see my child? It has been months since Richard took him from me and his family still keep us apart. Had I the means I would go to law, for in this household no one listens to me. How does my son fare? Does Matthew think of me? She longed to ask all of these things.

     “How long have you been with us, Isabella?”

     “For six years, since I wed your nephew.”

     She had been married to Richard at twelve, made pregnant two years later and widowed three years after that, following a long and bitter apprenticeship of wedlock. I have been a widow for six months and I do not miss a moment of my marriage.

     She sensed Sir William staring at her, stroking first his squirrel-fur cloak, then his neatly-trimmed beard. She resisted the impulse to shudder.

     “You are much improved in looks of late,” he remarked.

     Yes, not being beaten nightly by a drunken brute improves a woman's appearance. Isabella raised her head. “May I see Matthew?”

     Sir William frowned at the second mention of her son. “Did I not say later? Have you a better gown?”

     Accustomed to his abrupt manner, Isabella said nothing. Sir William need only check the household accounts to realize she had three dresses. One was her bridal gown, a tiny, wrinkled dress, worn with such hopes when she was still only a child. She could scarcely bear to look at it now.

     “We must have you robed in brighter colors,” Sir William continued. “And you must stay indoors. Wash your face in whatever women use to whiten skin. You must shine like a jewel.”

     When she was first married, Isabella had been full of questions, until Richard's ready fists had silenced her. She nodded to show she understood and waited to be told more. Perhaps I am to be married again, she thought, and hoped this time the man would be kind. Please let him bring my son Matthew back from wherever he is living and safe into our home. If my new husband does that, I will love him forever.

     Sir William picked a spray of cherry blossom and held it alongside her face. “Yes, you shall do very well,” he rumbled. “Your dowry is gone, you failed in your marriage task, you have no great skills, but we can put that beauty of yours to work.”

     Abruptly, he seized the front of her bodice and yanked on the loose cloth, half-exposing her breasts. Isabella covered herself with an arm but did not resist or utter a sound. If feigning acquiescence brought her news of her son she would be as still and silent as a grave.

     “Good, good.” Sir William strolled around her, pinching her flanks, muttering, “She needs a touch more flesh here, but her breasts are still ripe, for all her nursing of that pup.”

     Surely he would tell me if Matthew is dead? She had not set eyes on her son for seven months, since Richard had spitefully sent him off to another household, somewhere in Kent. My husband did that just before he was killed, murdered in a blood-feud not of my making but for which I am still blamed. When will it end?

     “You will oblige me,” Sir William went on, and he took her roughly by her shoulder and half-turned her, back to the house. “There, look at your son now. Not one word.”

     Isabella blinked the drizzle from her eyes and stared at the small, thin figure standing with his back to her in the open doorway to the workshop.

     It was Matthew, clothed in the belted blue cloak and cap she had made for him last winter, his fair, curling hair a little longer and more sun-bleached than when she had last seen him. He was growing and carried himself very straight, she thought proudly. She took a step forward, closer to him. He was no more than a baby when Richard ripped him from me. Now he is a little boy of  four years old, just four.

     “No nearer,” warned Sir William. “That is enough.”

     He gestured to someone at the house and the door closed, cutting Isabella off from that too-brief glimpse. Heart-scalded, she swung round. “Please, let me speak to Matthew,” she begged. Let me hold him, embrace him, smell him, hug him. Relief that he was alive washed through her, making her weak when she had to be strong.

     “To business,” Sir William remarked dryly, watching her fumbling with her gown strings, his eyes bright, with the pitiless interest of a bird. “You have seen the boy, now heed my terms.”

     Isabella chewed on the inside of her cheek to stop a rising cry, glad that the rain hid her tears. She nodded in silence, bracing herself.

     Even now, Matthew must not know I am here. Surely if he did he would come to me? And will I see him again? How long will he stay?

     Sir William smiled. “You will do much, make great efforts to see your son again?” He did not wait for an answer. “This family needs to make good alliances, and you are available. Stephen Fletcher I thought. He is armourer to Duke Henry himself, and widowed.”

     His smile widened and his hard dark eyes sparkled with open malice. “I understand he is like you, the offspring of a commoner. Some would call him a blacksmith. You should do well with him.”

     Isabella felt her face flush with anger. “And how, pray, will I meet him?”

     “Use what wit you have, girl, and find out!” He pinched her cheek, hard, and moved away, tossing her final orders as he strolled off. “I shall expect strong progress in your suit, Isabella. Win him within the month, become his mistress, extract rich gifts and favors from him, or you shall not see your son again. I will adopt Matthew as my own.”

     He went inside, out of the rain, and slammed the door in her face.


                                                             ****


     Isabella ran after him, but Matthew was already gone. Her heart aching inside her chest and desperate to escape the ready complaints of her mother-in-law, she claimed that Sir William asked her to collect a parcel of herbs from the apothecary's. Outside again in the rain, she stumbled by way of the back lanes to the house and shop of her friend, Amice the Spicer. 

     Amice took one look at her and drew Isabella behind the curtain at the back of her shop, where she had a bed she slept in when guarding a fresh batch of cinnamon from burglars.

     “Get under the covers and warm up,” she said, in her brisk, managing way. “As you see, the shop is quiet now, so we can talk. Have you received another letter from that prating mother of yours, blaming you for a feud not of your making? I presume your own flesh-and-blood have not welcomed you back?”

     “No, they have not.” Isabella shook as she stumbled into the bed. I do not think they will ever do so. Like Amice she knew that, according to custom, she might have returned to her own family, now that Richard was dead. Her parents however had cast her off. Her mother still wrote letters, but only to instruct her and to complain. To my parents I am one of the Martintons now. It was a terrifying thought, one she dared not dwell on.

     “Is your mother-in-law expecting you to spin gold from straw or some other foolishness?”

     Amice’s ironic question returned her to the present. A present even harder than my past. “I saw Matthew,” Isabella burst out through chattering lips. “They would not let me speak to him. He did not even know I was behind him.”

     “Ah, that old cruelty.”

     The sympathy in Amice’s warm voice brought Isabella to tears. She shuddered violently as her friend swept the warm, coarse blankets up to her ears.

     “Rest first, then tell me everything.” Amice bustled out into the shop again, closed the shutters and returned to light a brazier. “What did you say to get out of that wretched den?”

     “That my uncle needs herbs.”

     “I have those. I shall give you a bundle when you leave.”

     Isabella closed her eyes for a moment, willing herself not to cry. Away from her reluctant family-by-wedlock and the thunderstorm tension of the household, she felt her constant headache begin to clear. It was marvelous, too, to be safe at Amice's, snug and warm in a low-gabled shop perfumed with spices. She sighed, sitting up with a pillow behind her head as her friend brought her a cup of warmed wine. “Thank you.”

     “None needed.” Amice batted aside her gratitude. “We both know what you did for me. It is my pleasure to help you in return, in any way I can.”

     Isabella knew she meant it. They shared the cup between them, Amice telling of a Flemish merchant in the shop that morning, seeking pepper and saffron. Her black, strong-featured, full-lipped face was animated as she mimicked the accent of the Fleming, kicking her long legs against the wall as she reached the climax of her tale.

     “Paid me a good fistful of gold and unclipped coins for a few threads of saffron and one of my kisses. The man seemed to think I was an Ethiope out of Egypt and said my mouth was a lucky charm. I kissed him once, on the cheek, and did not tell him I come from the back end of Cheapside.”

     She chortled, finished the wine and put her dark, handsome head to one side. “You smell calm again,” she announced. Amice was a believer in the scent of things. “Will you have more wine? I have peppermint to disguise your breath from your mother-in-law.”

     Isabella smiled and shook her head. Reaching inside her gown, beneath the drawstrings Sir William had so roughly parted, she found the three gold rings strung on a cord and handed the rings and ribbon to Amice.

     “Sell or pawn?” Amice asked.

     “Sell,” Isabella said firmly. These rings were the last of her dowry, hidden away by her and forgotten by Sir William, Richard's mother and her parents. “I need a good price.”

     Swiftly she explained why. “I have only weeks to secure this Stephen Fletcher, and through him my son,” she concluded.

     “A harsh undertaking,” Amice remarked. “They are unkind people, your husband’s kin.”

     Isabella could not disagree but, thinking of the seemingly impossible task, she began to feel a coil of hope.

     “The goldsmiths' guild is planning a great spectacle when Prince Edward brings the French king back with him to London. I need to bribe my way into it.”

     “A good place to see and be seen, for sure. And Sir William swore you would have new gowns for this?” Amice held a ring set with a huge square sapphire close to the twisting flames of the brazier and gave a small grunt of satisfaction. “This is fine.”

     “Sir William promises many things, but I find they do not happen.”

     Amice's keen eyes glittered. “Then you are blamed.”

     Isabella shrugged. “I cannot afford to wait to see if he grants me fresh gowns. I have my son to consider.” Matthew! How I wish I could have talked to you today, held you, kept you by me.

     “I will go today, before curfew.” Amice rattled the rings in her palm. “Is any of this work Richard's? Let me avoid questions, if I can.”

     “Have no fear on that score. I have and hold nothing of his.” Which is why his kindred keep Matthew, as the only hold they have over me.

    She flinched as Amice brushed her wrist. “I will bring the money tomorrow,” her friend said.

     “Thank you,” Isabella murmured, wishing she could stay where she was until Amice returned. Knowing she must leave before she was missed in the workshop, she flung back the covers and scrambled to her feet. “I do not know where I will be tomorrow. Sometimes my mother-in-law keeps me at home.”

     “I will find you.”


                                                            ****


     The following day it was raining harder and foggy, a thick gray miasma coating the city roofs and towers. Isabella fretted about Amice having to visit her in this dismal murk, but her mother-in-law found an excuse to dispatch her into it.

     “I have a fancy for oysters and malmsey,” Margery instructed, counting a few pennies into Isabella's hand. “You must go, girl, I can spare no other. Take the spit-boy with you as guide, though you do not really need one, do you? Not with your parents living so close by the docks.”

     “Honored mother.” Knowing Margery would be irritated by that form of address, Isabella followed it up with a bow and stalked out into the pouring rain. She and the spit-boy scowled at each other until the end of the street, marched around a corner, shook hands and parted ways. Nigel was her ally, although both knew he was meant to spy on her for the family. Now they were free for an hour or so and Isabella intended to make full use of the time.

     She called on Amice first, but her friend was also out and Amice’s limping apprentice had no idea where she could be found. Resigned to seeing Amice as God willed it, Isabella drew her molting fur cloak tightly about her shoulders and trod nimbly beneath the dripping jetties.

     She loved being out in the city, part of its vivid heart. She was always excited to be in London, even in the dreadful year of pestilence when Richard had taken Matthew and, with his kin, fled the city for their holding in East Ham. She and the prentices had been left in the workshop and it had been hard. When she did not dread the boils and bloody coughing she feared fire, or looters, but they had all come through—London had not failed her, even then. Now, slipping and sliding through the muddy alleys, avoiding shadowed corners, flicking a small coin to a beggar camped beneath a jetty, she heard a hundred different voices in the fog and a dozen different tongues and knew she was home.

     Matthew should be with me, learning these streets.

     She did not make for the docks. Oyster and wine sellers thronged the city, so she wasted no effort on the wharves where wine barrels were unloaded. She had no desire to encounter her father, although he had lately grown so rich as a vintner that he might not trouble to be out on such a day.

     Reflected in the pallid fog, a moving, closing shadow shimmered against the wattle wall of the house opposite. Frustrated by her small, female state, Isabella hunched into a doorway and waited until the creeping footpad vanished along another narrow lane. Amice stalked these alleys like a warrior but Amice was tall and knew how to fight with a knife. Shorter by half a head and allowed no decent blades, Isabella was constantly reminded of how easily she could be mauled. Had Richard not proved that, night after night?

     Hearing the bells of great Saint Paul's thundering above her, watching the hop-and-skip of folk darting in and out of the rain, she waited until she could make out the raucous calls of the street sellers again. Moving on, she turned off the house-step—straight into the path of a man leading a bay horse and eating a pie.

     “Hold there!”

     The stranger tossed his pie to a shivering urchin and caught Isabella as she slithered back, his grip firm but not cruel. “If you would be a cut-purse, girl, you need to be quieter.” He stared down at her while his horse chewed on a slither of hanging roof-thatch and a water-seller shouldered past them both, muttering curses.

     “Forgive me, sir.” Isabella did not recognize the man but she was keen to be on her way. He was taller than Amice and almost as dark, with a tanned, clean-shaven face and penetrating eyes. Green-gray eyes, she realized with a jolt, as he plucked her off the step and up onto the saddle of his mount with the same ease as she might lift a toddler.

     “Unhand me!”

     “Where are you going?” he asked, ignoring her protest. She began to slide off the back of the glossy bay but he anticipated that move and stopped her simply by catching her foot.

     “Sir!”

     “This is neither the weather nor the place for a decent maid,” he went on, his green-gray eyes sparkling with amusement as she glowered at him. “Let me take you where you need to be.”

     Isabella knew she looked like a servant. “Why would you do that?”

     He grinned and released her foot. “Even beggars deserve kindness now and then. Besides, you did not get those good teeth and fine accents on any midden heap. Now, where should I carry you away to?”

     They were moving, Isabella realized, the horse piling through a vast puddle with the man splashing carelessly alongside. Another moment and they would be within sight of the grand houses and palaces of the river, and, to the north, the goldsmiths' new guildhall, still being built.

     It would not do for him to escort her there with so many wagging tongues eager to take the news to Sir William. If need be, I shall tell my own gossip and, please God, be rewarded for it with a visit to or from my son.

     “Here,” she called, pointing to a small glover's shop tucked around the corner of a crooked alley. “This is my place.”

     The stranger reined in at once. Before Isabella could stir he swept her off his horse and lightly onto the cobbles, nodding to the wide-eyed glover. “I will see you safe within.”

     “There is no need.” Conscious of his height and breadth and easy strength, Isabella felt heat tiding into her face. She prayed she was not blushing. “Thank you for your help, Sir…?”

     He smiled, his eyes still bright with amusement, and answered readily, “Stephen Fletcher, at your service, Mistress Angel.”

     Isabella automatically gasped. The very man I have to win! All calculation deserted her as they stared at each other. What will it be like to be in Stephen’s arms? What will his kisses be like?

     Heedless of the prickling rain, Stephen studied her for a long moment, his eyes narrowing as if he guessed her thoughts. Isabella forced herself to bow her head, her breath threatening to stop as she waited, crucified by his silence. What now? Should I say more, do more?

     She felt a gentle touch, softer than rain, brush against her cheek.

     “I pass this way tomorrow,” he said softly. “I need new gloves.”

     “I shall be here.” Why did I say that? ‘Tis madness to promise anything!

     “Until tomorrow, Mistress Angel.” Stroking another raindrop from her flushed face and raising a hand in farewell, Stephen mounted his bay and cantered off in the direction of the river.



Tuesday, July 28, 2020

Crowning Glories - a blog about my love of hair, plus how I use hair in my writing.

Sir Frank Dicksee, 'La Belle Dame sans Merci' (1890), from Wikimedia CommonsI admit it. I have a 'thing' about hair in my writing.

Not in real life. My hair is brown going grey and tough. It goes its own way and if it's cut 'wrong' then it will spike. I have it cut short and leave it alone. We get along fine. But in my romance novels, I love hair.

What colour will the herone's hair be? How long? Wavy? Curly? I always like to imagine my main female character's hair.


Many romance novels have blond or auburn haired heroines. Isabella, my heroine from my novella "Mistress Angel" is a spectacular blonde, with colouring that both attracts and also makes others eager to prey on her. I showed off her hair with a scene drawn from the historical records - in May 1357, the King of France was brought as a prisoner to London and paraded through the city in style. The goldsmiths, eager to be part of the show, positioned twelve beautiful maidens in golden cages above the street for them to toss flowers. I made my Isabella one of the maidens.

The gaudy troop of soldiers and knights, already shifting at a slow canter, settled into a meandering amble as the road through Cheapside broadened between the grander houses belonging to the members of the goldsmith's guild.
“Ici, là!” cried Prince Edward, sweeping a bejeweled gloved arm toward the upper storeys. Beside him, on his taller horse, the French king looked up and softly applauded. Stephen scanned the ridge tiles of the freshly-painted, gilded houses and glanced where the prince was pointing.
There she is. He smiled.
He recognized her instantly by the proud tilt of her head, her sweetly handsome profile and those glowing eyes, more compelling even than the luxuriant gold of her hair or her sumptuous costume.
Goldsmith’s garb and no glover’s girl for sure, he thought, reining in his horse and slowing to admire her the more as she shimmered above him like the evening star. Encased in a narrow cage of gold suspended above the cobbles, he saw that she was one of twelve maidens positioned high above the street, all caged, all lovely, but his gaze returned to her alone. Already the others seemed pale shadows, water ripples, echoes. But she is stunning. Above the roar of  blood in his ears he heard the ribald comments of Prince Edward and knew he also approved of her. 
By a mighty effort of will Stephen tore his attention away from this bewitching, naughty beauty and returned to scanning roofscapes. Still his eyes kept flitting back as he silently willed her to turn within her cage, to look out, to look back, to see him.
Know me, girl. Wonder at me, as I do at you. He was torn between admiration and a longing to kiss her thoroughly for her deception. Kissing you will be a sweet revenge.
She was tossing flowers, delicate metal posies of gold and silver that streaked the cobbles like flashing dewdrops or sun-flashed rain, pretty trinkets that the populace would certainly scramble for as soon as the nobles had passed. Still staring toward Westminster, although she must surely know by the mutter of the crowd that the foremost Prince of England and King of France rode right beneath her cage, she scattered another handful of golden petals, seemingly oblivious to the gasps of admiration. Silhouetted against the dark, smoke-stained jetty of the house, her slim body made a pleasing, subtle curve.
****

I kept in mind those aspects all the time I wrote of Isabella - and her hair.

Elfrida, the witch in my "The Snow Bride" is a red-head. This shows her supernatural and inner
passion and fire, both of which she uses to lure a dangerous adverary closer.


She would not dwell on what could go wrong, and she fought down her night terrors over Christina, lest they become real through her thoughts. She lifted up her head and stared above the webbing of treetops to the bright stars beyond, reciting a praise chant to herself. She was a warrior of magic, ready to ensnare and defeat the beast.
“I have loosened my hair as a virgin. I am dressed in a green gown, unworn before today. My shoes are made of the softest fur, my veil and sleeves are edged with gold, and my waist is belted in silver. There is mutton for my feast, and dates and ginger, wine and mead and honey. I am a willing sacrifice. I am the forest bride, waiting for my lord—” 
Her voice broke. Advent was meant to be a time of fasting, and she had no lord. None of the menfolk of Yarr would dare to take Elfrida the wisewoman and witch to be his wife. She knew the rumors—men always gossiped more than women—and all were depressing in their petty spitefulness. They called her a scold because she answered back.
“I need no man,” she said aloud, but the hurt remained. Was she not young enough, fertile enough, pretty enough?
Keep to your task, Elfrida reminded herself. You are the forest bride, a willing virgin sacrifice.
She had tied herself between two tall lime trees, sometimes struggling against her loose bonds as if she could not break free. She could, of course, but any approaching monster would not know that, and she wanted to bait the creature to come close—close enough to drink her drugged flask of wine and eat her drugged “wedding” cakes. Let him come near so she could prick him with her knife and tell him, in exquisite detail, how she could bewitch him. He would fear her, oh yes, he would...
She heard a blackbird caroling alarms and knew that something was coming, closing steadily, with the stealth of a hunter. She strained on her false bonds, peering into the semidarkness, aware that the fire would keep wild creatures away. Her back chilled as she sensed an approach from downwind, behind her, and as she listened to a tumble of snow from a nearby birch tree, she heard a second fall of snow from a pine closer by. Whoever, whatever, was creeping up was somehow shaking the trees, using the snowfalls as cover to disguise its own movement.
A cunning brute, then, but she was bold. In one hand she clutched her small dagger, ready. In her other, she had the tiny packet of inflammables that she now hurled into the fire.
“Come, husband!” she challenged, as the fire erupted into white-hot dragon tongues of leaping flame, illuminating half the clearing like a noonday sun. “Come now!” 
She thrust her breasts and then her hips forward, aping the actions that wives had sometimes described to her when they visited her to ask for a love philter. She shook her long, red hair and kissed the sooty, icy air. “Come to me!”
She saw it at the very edge of her sight—black, huge, a shadow against the flames, off to her side, and now a real form, swooping around from the tree line to her left to face her directly. She stared across the crackling fire at the shape and bit down on the shriek rising up her throat.
The beast stepped through the fire, and she saw its claw reaching for her. She heard a click, off to her right, but still kept watching the claw, even as the fire was suddenly gutted and dead, all light extinguished.
Darkness, absolute and terrifying, smothered her, and she was lost.

Of course, the battered crusader knight Sir Magnus, hero of "The Snow Bride" is entranced by Elfrida and by her hair.

It's a sweet vice but I have to be careful. Sometimes I have have my characters spending too much time 'fiddling' with their own or others' hair - stroking, patting, tweaking, adding flowers. My heroes are usually as hair-fixated as I am and sometimes I need to remove some of their petting.

Why a dark-haired hero? I've never quite understood that romance 'guide'. Randal in my story Unicorn Summer (One of the novellas in One Midsummer Knight) is blond, a sunshine lad. (Again, I use the colouring as my own reminder and key to character, both for Randal and the Unicorn who is also an important part of this story.  I've written dark-haired heroes but to me it's not an essential.


Ffion shook herself.  “I care not for such trifles as looks,” she answered, in her head, “Though he is handsome.” He was sinewy and lean and his rough-cut yellow hair was as lush as summer butter,  flowing over his broad shoulders as Unicorn’s mane had spilled down his flanks. Catching glimpses of a green tunic and dark leggings beneath his chain mail, she noted the good quality cloth, of older dyes, she thought, but well maintained. Overall he seemed honest and open, and he had a very shapely mouth.
What do I care about his lips! He is clean-shaven, what of it? Aloud, she added, “Will you come with me, for company?”
It was a grudging invitation but Sir Randal smiled and said, “We shall discover how these feathers work.”  He tied his ancient helmet to his belt and offered her his arm.


In my latest novel, "The Master Cook and the Maiden" I have the hero, Swein, wearing a cap for quite a while, teasing the heroine and the reader as to what colour is hair is, a small, sweet mystery.

No one will bother looking for me, Alfwen almost confessed, but the night drew close and she did not want to admit she was friendless, powerless. “I can ride in your waggon?” she asked, spotting the same less than a sword’s length from her. I must have been deep in shock to have missed that and a mule arriving.
“I have some old pottage for your dog, too,” came the genial reply.
He swept her onto the back of the waggon, handed her Teazel and warned, “Stay away from the firebox, or the crocks therein. I have hot food going.”
“My thanks,” Alfwen whispered, praying her belly did not rumble at the thought of more dumplings. She met his bright eyes again, briefly wondering what colour his hair might be under his close-fitting cap. “Might I know your name, sir?”

Later, to show their developing closeness, Alfwen washes Swein's hair and she finally discovers its colour, length and texture.

To celebrate brown hair, in "Dark Maiden" my female exorcist Yolande has long, brown hair:

He saw her face change, becoming as still as a mask. Then she blinked. “I do understand it.  My thanks to you, master Geraint. How may I aid you in return? Are you thirsty or hungry?”
“Ale is always welcome,” he answered quickly, “but for now the pleasure of your company on the road will be more than payment.”
She raised her pretty eyebrows at that. The rest of her was  pretty too , if such a plain word could be used for such exotic looks. By “dark” he had expected black hair, which Yolande had—long, shimmering waves of the stuff, very clean but caught in a simple clasp at the back of her slender neck as if she had no time for any fuss. Her eyes were either brown or black—he could not be sure—but they were clear and steady as if she looked straight to the heart of things.
To the heart of me, for sure. Geraint liked women, loved their smell and feel and their cockeyed way of looking at the world. For all her man’s clothing, Yolande was very much a woman, and a love worthy of Solomon. Her skin was a beautiful shade of bronze, smooth as polished wood, and her eyelashes were double-lashed. She had a narrow face and elegant bones but there was a strength in her, character and soul together. He could imagine her besting devils.
For the rest…the performer in him knew at once that she should be in bright colors, reds and yellows and blues, not the drab serge of a thatcher. If she was in his company for long—and he intended she would be—he would tempt her into a brighter manner of dress.
For she has the glory of the evening in her. She wins me already and does not know it.
“I do not chatter,” she said, unaware of his inner tumult. “I have a way to go.”
Better still. He admired how she did not admit where she was headed. “For today then?” He lifted his hands, palms up. “To the nearest house of honest folk, who will let you sleep by their hearth and me in their hayloft?”
“You wish to squire me to safety?”
“For the pleasure of—”
“For the pleasure of  my company. Yes, Geraint the Welshman, you said that already.” But she was smiling as she spoke and he knew she would agree.
“Shall I carry this?” He motioned to the cross. “You have your bow and bag already, and it will be no trouble.”
After a moment she strode out like a youth, leaving him to catch up. Geraint admired her graceful gait and did not hurry. He wanted their day to last.
By then I may have won another day in her company.

I like to use hair to confound stereotypes. One of my heroines, is blonde - but she would never have a "blonde" moment. She is a dangerous, calculating, kindly, devious.

So I have fun with hair. I've had curly haired heroes and heroines, long haired heroes and heroines, shorn heroes. I've had heroines caught by their hair - one is trapped by her long hair while trying to escape.

Next time (maybe) I will have to celebrate the naked scalp. That, for me, would be a challenge.

(Photograph by courtesy of Wikimedia Commons)

Tuesday, February 25, 2020

Inspired by Fairy Tales

I’ve always loved fairy tales: African fairy stories, Old Peter’s Russian tales, Grimm’s fairy tales and the western classics – Cinderella, Sleeping Beauty, Beauty and the Beast, The Goose Girl, The Frog Prince. The themes of love, sacrifice, keeping promises (the theme of the Frog prince) transformation (in The Goose Girl and Cinderella) justice (again in Cinderella) are epic to me and timeless, worthy of exploration in romances and modern stories.

Cinderella, the story of selfless devotion rewarded, is a popular theme for many romance stories, with the ‘prince’ often an Italian or Arab billionaire who sweeps in to transform the heroine’s drab, oppressed life. I’m sure there are romances to be written about the ugly sisters, too – positive stories where they grow from their petty spitefulness and obsession over balls and dances into generous, complete women, who also find love. That element of the happily ever after and the unexpected is strong in both fairy tales and in romance and both appeal to me greatly.

Fairy tales can also be epic, dealing with issues of life and death. Look at Gerda and her determination to win her brother out of enchantment in The Snow Queen. Look at Sleeping Beauty, where the prince rescues the princess from the ‘death’ of endless sleep.


Recently I did my own ‘take’ on Cinderella in my ‘Mistress Angel’. I made it a story of transformation for both my heroine, Isabella, and the handsome armorer Stephen, who starts as a man haunted by loss. Although Isabella has little power, trapped in widowhood with a dreadful family,I didn’t want her to be passive, simply waiting to be rescued from her situation, so she is active in the story, scouring the streets of medieval London, determined to find and recover her son Matthew. I also added more urgency by making it a ticking clock story – Stephen and Isabella must find her son before her vile in-laws can keep him from his mother forever.

The story of Beauty and the Beast has thrilled me since I was a child, with its dark and menacing beginning, the terrifying beast and Beauty’s courage and love for her father and ultimately for the beast. I was inspired by these basic tenets to write my own medieval version of Beauty and the Beast in my ‘The Snow Bride’ and its sequel 'A Summer Bewitchment'. Magnus, the hero, has been hideously scarred by war and looks like a beast. He considers himself unworthy of love. Elfrida, my heroine, is also an outsider since she is a white witch, but she willingly sacrifices herself (as Beauty does in the fairy story) because of love, in her case her love for her younger sister, Christina, for whom she feels responsible. When she and Magnus encounter each other, I made it that they could not understand each other at first, to add to the mystery and dread – is Magnus as ugly in soul as in body? They must learn to trust each other, despite appearances, and come to love (just as in the original fairy tale).



I also added other fairy tale elements to ‘The Snow Bride’: magic, darkness, the idea of three (a common motif in fairy tales) spirits in the forest and more. Perhaps in the darker elements of my forest I was inspired by that other old fairy story – Red Riding Hood.

How about you? What inspires you in your reading or writing?

Lindsay Townsend

Tuesday, April 19, 2016

#NewRelease -- TO LOVE A KNIGHT by Lindsay Townsend

MISTRESS ANGEL—Isabella has been promised as a pawn to stop a blood feud from the time she was a child, but now her husband is dead, and she is at the mercy of his cruel family. When her young son, Matthew, is ripped from her arms and hidden away, she vows to do whatever it takes to save him—even though it might cost her everything. Stephen Fletcher, a handsome armorer, assures her that he will help her regain Matthew. Neither Isabella nor Stephen had thought to ever love again, but Fate has other plans for them...and by a chance meeting, their destinies are changed forever.


AMICE AND THE MERCENARY—Beautiful Amice, a spice seller, vows to avenge her brother’s death on a Crusades battlefield, while at the same time, trying to survive the English king’s court. When she meets charming Henry Swynford, she is reluctant to give her heart away until she can determine whose side he’s on in the deadly game of court intrigue—one false step could mean her life. Though Henry has secrets, Amice begins to trust him. Can their happiness last, or will their enemies tear them apart? What price revenge against true love?

EXCERPT from MISTRESS ANGEL

I must do this, for Matthew.

Not in so extreme a way, her mind scolded, but it was as if her body no longer obeyed her reason. Stephen's smile was a welcome and in truth what time had she? In another moment he would be gone, passed, and her family would blame her. If she did not do this now they might never allow her to see her son.

It was the work of a single step and then done. As she forced her stiffened limbs to stir, Isabella glimpsed the rich tapestries, captured in France and hung from the first floors as trophies. She saw the shields, taken from the battlefield of Poitiers and ranged along the street in a triumphant display, glinting back at her. She thought of Matthew in his brave blue coat and fell out of the cage, a desperate launch, wondering if the cobbles would hurt.

Catch me, please catch me.


In a slow fall, slow as a snail, she saw Stephen's smile falter, heard Amice's desperate, “Issa!” and then she was floating, down and down.

Catch me, please catch me.

This collection is now available at Amazon in a boxed set (free if you have Kindle Unlimited) and trade paperback.

BUY LINKS 

      

Tuesday, January 12, 2016

NEW RELEASE! MISTRESS ANGEL BY LINDSAY TOWNSEND!



Prairie Rose Publications announces a brand new release today from Lindsay Townsend! This is a wonderful medieval novella, available on Kindle for only $1.99

Once a child-bride, married with the intent to stop a blood-feud between rich and ambitious families in fourteenth century London, Isabella is now a young widow, a medieval Cinderella, tormented and blamed.

Seeking always to escape her grim destiny, she can do nothing but endure. But when her beloved son, Matthew, is torn away from her care, spirited somewhere into the country by her malicious in-laws, Isabella stoic endurance turns to desperation. To save her son she will do anything, risk anything—even if it means she must lose the love of her life, the handsome, brave armorer Stephen Fletcher.

But Stephen is determined to help her. Though he’d thought to never love again, he has no choice when his Mistress Angel enters his life—and changes their destinies forever.


Snap up this wonderful medieval tale, and look for the accompanying story, AMICE AND THE MERCENARY, coming in February!

Here's an excerpt from MISTRESS ANGEL:

Somewhere, please all the saints, somewhere in that glittering retinue was surely Stephen Fletcher.

Please, Holy Mother, let him be here with his prince and lord, please, for the sake of my son.

She swung round in her cage, clasping one of the gilded wooden bars for support, giving Amice a quick smile to show she was safe and tipping another golden hailstorm of posies over the closing nobility. Pretending an imperiousness she was far from feeling, she lowered her head slowly, as if the retinues clustered in the street beneath her were as insignificant as bugs.

He's here! At once her breathing quickened as her body jolted. The gilded cage shook around her, as if caught in a sudden storm.

“He is here?” Forgetting her fear of heights, Amice leaned right out of the window. Isabella caught her back.

“Stephen is the tall, well-made man on the gray horse, just behind that fat knight of the garter,” she said, the admission huge in her mouth as if she was chewing on pebbles.

“Saffron and pepper, he is handsome! A man to dream of when he is not busy in your bed.”

“Amice!”

“Hush, Isabella, I speak my mind. Yes, your man is very fine, shapely and fine. Does he smell of mint? I wager he does. Not very colorful in his dress, though you can ginger him up, and my, his horse is old…”

Isabella did not hear the rest of her friend's pithy remarks. Looking down she was lost, her mind a whirlpool of thoughts and impressions as the rest of the street vanished to her. She had forgotten how magnetic his eyes were, with their soft tones of green and hard notes of gray, and how aquiline his nose. He was watching her, indulgence sparkling in his tanned, craggy face and tugging at the corners of his singer's mouth, as if he knew very well what she was about and did not care. Even in the earliest days of her marriage Richard had never stared at her like this, as if he kissed her with his eyes.

He had caught one of her flowers, she realized as he held it aloft, showing it to her before tucking it away into one of his big, black, serviceable leather gloves.

“Fine as my best black pepper,” Amice was concluding, while Isabella struggled to hold onto herself, not abandon her sense utterly. Remember Sir William's threats and the danger to Matthew. She lifted her hand away from the edge of the cage and waved to the tall, strong figure below. Stephen is surely my lord, my kind and noble lord, and I am forced to beguile him. Shame engulfed her in a scalding tide.

I must do this, for Matthew.

Not in so extreme a way, her mind scolded, but it was as if her body no longer obeyed her reason. Stephen's smile was a welcome and in truth what time had she? In another moment he would be gone, passed, and her family would blame her. If she did not do this now they might never allow her to see her son.

It was the work of a single step and then done. As she forced her stiffened limbs to stir, Isabella glimpsed the rich tapestries, captured in France and hung from the first floors as trophies. She saw the shields, taken from the battlefield of Poitiers and ranged along the street in a triumphant display, glinting back at her. She thought of Matthew in his brave blue coat and fell out of the cage, a desperate launch, wondering if the cobbles would hurt.

Catch me, please catch me.

In a slow fall, slow as a snail, she saw Stephen's smile falter, heard Amice's desperate, “Issa!” and then she was floating, down and down.

Catch me, please catch me.


Here are the buy links for MISTRESS ANGEL, a medieval read you will NOT want to miss!
http://www.amazon.com/Mistress-Angel-Lindsay-Townsend-ebook/dp/B019AT3NAA/ref=sr_1_2?ie=UTF8&qid=1452627981&sr=8-2&keywords=Mistress+Angel