This is the third of a six-part series about the Middle Ages with the goal
of giving casual readers of medieval romances a better understanding of the
time period. Eventually, we’ll talk
about why there were no damsels in distress but today we’ll learn why a knight
is shining armor isn’t a good sign.
Previously:
In First the Fall, Then the Babarians, we
discussed the macro trends of the early medieval period and how they set the
foundation for the Early Middle Ages. We painted kings and knights with a broad
brush and learned the benefits of political stability in Huzzah!
Knights, Kings and Living the High Life. Today, we’re taking a closer look
at the medieval warfare and those who fought.
Income Inequality
Feudalism is a political and economic system that required a class structure that became hereditary. The word itself is a modern invention to describe the medieval social structure in which all land “belonged” to the king. Nobles held honors (fiefs) in exchange for military service to the crown, and vassals, who worked or managed small pieces of land, were tenants of the nobles and owed them service (military or otherwise). Serfs worked the land for king, church, and knights, giving him labor and a share of the produce in exchange for military protection.
Medieval Man divided their society into three parts: those who work. Those who pray. Those who fight. Many casual students tend to think these three parts of society were roughly equal in numbers, but as historian Dorsey Armstrong points out, approximately 95 percent worked and less than 5 percent fought or prayed. Note: both knights and churchmen came from the same noble class.
There was little movement from one social class to the next until the Black Death (1347). I say little because there was small movement—one rung up or down (most likely down)—over the centuries and not everyone in medieval society fit neatly into the ideal of three social castes. Merchants neither worked nor prayed nor fought. Craftsmen living in cities didn’t owe allegiance to a lord, just their guild, and women have rarely fit the molds society tries to shove them into.
There was little movement from one social class to the next until the Black Death (1347). I say little because there was small movement—one rung up or down (most likely down)—over the centuries and not everyone in medieval society fit neatly into the ideal of three social castes. Merchants neither worked nor prayed nor fought. Craftsmen living in cities didn’t owe allegiance to a lord, just their guild, and women have rarely fit the molds society tries to shove them into.
Additionally, the "average" person could and did fight with pikes and bows, but the large, terrorizing warhorses, well-made swords, and protective mail were reserved for the knight. In other words, a very small ruling class maintained control by being better armed and bettered trained to use those arms than the vast majority of people.
This is important to understanding the role warriors played in this society. Many could neither read nor write, were trained in the martial arts from roughy age seven onward, and were fostered in the households of their lords to build ties with others in their class and those above them in the hierarchy.
Knights' deeds were sanitized and exalted in song, which is where we get the idealized Knight in Shining Armor, but their lives were so marked by violence and blood that the church led a campaign to civilize these warriors. Knighthood and chivalry were not synonymous until very, very late in the era.
Frankly, if we met a typical medieval knight on the street, we'd likely cross the street to avoid him.
Knights' deeds were sanitized and exalted in song, which is where we get the idealized Knight in Shining Armor, but their lives were so marked by violence and blood that the church led a campaign to civilize these warriors. Knighthood and chivalry were not synonymous until very, very late in the era.
Frankly, if we met a typical medieval knight on the street, we'd likely cross the street to avoid him.
Those Who Fight
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| This is a misericorde, a small dagger designed to slip between helmet and mail (or armor plates) and kill a wounded knight. |
According
to historian R.C. Smail in his book Crusading Warfare 1097-1193, the true goal
was to capture and keep a castle or other fortified place, not to destroy the
enemy forces or bring about an unconditional surrender, which is often the aim
of modern military campaigns.
The battles for these fortifications, though, were bloody. Foot soldiers and bowmen were often slaughtered, and knights were "dispatched" on the battlefield as often as they were captured and held for ransom.
The
Early Middle Ages were marked by invasions (Franks, Angles, Vikings) and
internal battles for power, so the social structure coalesced around military
society. Those who fought ruled. Those who worked served those who fought. One
repercussion of feudalism was the tendency to concentrate the family’s wealth on
one heir, leaving subsequent sons trained as knights but without an
inheritance. Even the “heir” was idle until his father died and he could begin
running the estate. As you can image, these unmarried, landless, idle young men
posed a serious threat to public order.
How
serious?
Think
about the reckless, testosterone-driven impetuousness of males between the ages
of 15 and 25 (give or take a couple of years). Now, give them wealth,
celebrity-style status, weapons and training, then turn them loose to rape and pillage the countryside. Got it?
Hence, the clerical efforts to soften and reform knighthood.
Hence, the clerical efforts to soften and reform knighthood.
A Knight in Shining Armor
In
the 11th century, Cluny monks promoted ethical warfare, which inspired the
formation of chivalric orders, such as the Knights Templar. However, the
immediate goal was to reduce the threat to public order and the predatory
impulses of these warriors by giving them a higher purpose. Cluny monks weren’t
the first to try to install self-discipline in warriors. As early as the 9the century,
Charlemagne attempted to elevate the role and responsibilities of knights above
mere killing with his Code
of Conduct in the Song of Roland.
The
code didn’t change much over time, although it became shorter. By the 14th
century, it was reduced to the Twelve Knightly Virtues: faith, charity, justice,
sagacity, prudence, temperance, resolution, truth, liberality, diligence, hope
and valor.
Within
chivalry is the view that proper Christian behavior for a knight is considerate
treatment of noncombatants (to use a thoroughly modern word) in the obligation
to defend the weak and to be courteous to women. The proper treatment of women,
however, was usually restricted to women of the knight’s own class, which meant
95 percent of the women were fair game.
As freemen began to rival (and exceed) the
nobility in terms of wealth, chivalry became more class conscious. Prowess was
no longer the primary qualification of a knight. Bloodlines were. Proof of
noble birth was now required to compete in tournaments and to join one of the
chivalric orders, such as the Templars or the Hospitallers.
Chivalry
in its ideal form is immortalized in the Arthurian tales, which had been told
for centuries but came into their full form during this period. The Arthurian
cycle reflects the ideals and society of the High Middle Ages, not post-Roman
Britain, which is when most scholars say “Arthur” likely lived, if he lived at
all.
Oh,
and why is a Knight in Shining Armor not a good thing? Simple. If the armor is
shining, it’s new. So either the knight is green or he is more interested in
looking the part than being the part.
I
am not a medieval military historian. Further reading (if you’re interested): http://www.medievalists.net/2009/12/medieval-warfare/.
Come back in May when we take a look at damsels in distress.
Keena Kincaid writes historical romances in which passion, magic and treachery collide to create unforgettable stories. Her books are available from Prairie Rose Publications and Amazon. For more information on her stories, visit her Amazon page, her website, or Facebook.
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| Monty Python skewers the Arthurian legend in Monty Python and the Holy Grail (copyright theirs) and does a good job poking fun at the Middle Ages and medievalists at the same time. |
