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Showing posts with label Keena Kincaid. Show all posts
Showing posts with label Keena Kincaid. Show all posts

Thursday, December 17, 2020

New Release -- One Perfect Knight: Six Full-Length Medieval Romance Novels

Your knight in shining armor is waiting to tell his exciting story in this new boxed-set release from Prairie Rose Publications! ONE PERFECT KNIGHT is a fantastic collection of SIX full book-length tales of beautiful medieval ladies and their dangerous men as they discover the magic of love! These exciting stories are sure to capture your imagination as you travel back in time to those romantic days of knights and ladies in medieval times! Handsome warriors, valiant knights, or valorous common men of the day—all will meet their matches with the daring and unusual women they happen to fall in love with, and you won’t want to put this boxed set down until you’ve read the very last story!

Authors Deborah Macgillivray, Lindsay Townsend, Cynthia Breeding, Linda Swift, Keena Kincaid, and Livia J. Washburn spin six incredible novel-length love stories filled with danger, excitement, and romance that will keep you turning page after incredible page until the very end. What could be better than ONE PERFECT KNIGHT? How about six fabulous stories of knights, warriors, and noblemen who want nothing more than to live happily ever after—in love—with the women in their lives?

A RESTLESS KNIGHT—DEBORAH MACGILLIVRAY

Had the music stopped, or had she just ceased to hear it? All she could do was stare into the dragon green eyes. Drown in them. This man was her destiny. Nothing else mattered. Lost in the power, Tamlyn was not aware of the hundreds of other people around them or their celebrating. To her, the world stood still, narrowed, until there was nothing but the star-filled night. And Challon.

THE SNOW BRIDE—LINDSAY TOWNSEND

Beautiful Elfrida is the witch of the woods, and no man dares to ask for her hand in marriage until a beast comes stalking brides and steals away her sister. Desperate, Elfrida offers herself as a sacrifice, and is seized by a man with fearful scars. Is he the beast—or will he save her, as well as the other young women who have disappeared? Sir Magnus, battle-hardened knight of the Crusades, has finished with love, until he rescues a fourth 'bride', the red-haired Elfrida, whose touch ignites a fierce passion that satisfies his deepest yearnings and darkest desires.

CAMELOT’S DESTINY—CYNTHIA BREEDING

The legend of Camelot is born and, with it, bold passions and forbidden desire. Fiery-tempered Gwenhwyfar is chosen by Arthur to be his wife and queen… Seared by the forbidden kiss of Arthur’s most-trusted warrior, Lancelot, Gwenhwyfar is swept into a world of passion, torn by loyalty and love to a husband who betrays her and a man she cannot have. But in a time where good and evil clash, where magic and chivalry reign, love will prove a weapon as powerful as any sword.

MISTRESS OF HUNTLEIGH HALL—LINDA SWIFT

Wait for me… Malcolm Gray asks only one thing of Alice Wykeham when he goes to sea. But ten long years go by, and Alice is forced to marry an elderly lord who is eager to claim her dowry. Malcolm has been shipwrecked and severely injured, but when he heals, he remains nearby in disguise, too late to claim his true love. When Alice discovers the lord is involved in a treasonous plan to overthrow the king, she must do something—it could be the death of her, along with Malcolm, the only man she will ever love…

ART OF LOVE—KEENA KINCAID

Abigail d'Alene has been in love with learning all her life, and she now has the means to indulge in her passion. Disguised as a boy, she heads to Paris and the abbey schools that will one day change the world. Shocked by the ineptitude of her masquerade, Alain of Huntly Woods takes Abigail under his protection until she recovers her senses. But her audacity and intelligence spark unexpected passion. When Alain discovers Abigail's uncle plots against the English king, Alain must choose between protecting his king or the woman he loves.

ALURA’S WISH—LIVIA J. WASHBURN

In the fire opals of an ancient treasure live two djinn. Once freed from the stones, these immortal spirits will serve this master's commands. But these djinn also have another purpose—to bring the wearer a true and lasting love… Can a reluctant bride find unexpected happiness with the dark knight, Sir Connor Warrick, she agrees to marry for the sake of honor and duty? The brilliant opals of the exquisite slave bracelet unlock a magic unlike any Lady Alura has ever imagined…and a love more rare than any jewel…


Sunday, July 28, 2019

Book review: One Midsummer's Knight anthology

This summer's new medieval anthology grabbed my attention both with the cover and with the little hints of the stories contained behind that cover.  I'm highlighting the first two stories in this review blog and I'm looking forward to the rest of the stories coming up next!

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Blurb:  

Who dares to seek love on a Midsummer’s Eve when the Otherworldly veil is thin, and anything can happen? Magic runs high, and passions flare on this special night made for taking chances. For this is the night when ritual fires burn bright and invite lovers to consummate the promise of their love—and anything can happen!

In this wonderful collection of medieval tales, ONE MIDSUMMER’S KNIGHT holds the key in each story to a “happy ever after” ending! Step into a realm of adventure and magic with these four spellbinding tales of daring, chance, and love with ONE MIDSUMMER’S KNIGHT!

UNICORN SUMMER—LINDSAY TOWNSEND: When the faery queen casts a spell on a knight to change him into a unicorn, there seems to be no hope for him—except the stronger magic of true love!

MIDSUMMER’S PROMISE—KEENA KINCAID: Can a mercenary find his heart’s home with a beautiful healer? Her brother, a seer, says they are not for each other—but can their love change fate?

A FAIR BARGAIN—MELISSA JARVIS: When a maiden trades her own future happiness for that of her sister, it seems all is lost to her—until an Otherworld prince comes to her rescue and seals a different kind of bargain—made of unexpected and forbidden love.

A MISTY KNIGHT--CYNTHIA BREEDING: Can a daring knight’s love bring happiness to a beautiful woman who others call a witch? He must find a way to rescue the stubborn lass before she is killed, but can he do it as a human?

My Reviews:

Unicorn Summer
Such a different and cute story! Ffion finds herself transported to a faery world and has lessons to learn...and to teach. Sir Randal is already there and has to prove he's learned his lessons and is ready to change.

Written with almost a lyrical rhythm, Unicorn Summer delivers an unique twist and a charming voice to share both valuable truths and a sweet hea.

Midsummer's Promise
Kathryn and Richard's story charmed me with their connection, with the touch of special/otherworldly, and with the depth of the world built. This story packs a hard punch and I loved it!

Purchase Links:

      

Thursday, June 6, 2019

New Release — One Midsummer's Knight Edited by Cheryl Pierson


Who dares to seek love on a Midsummer’s Eve when the Otherworldly veil is thin, and anything can happen? Magic runs high, and passions flare on this special night made for taking chances. For this is the night when ritual fires burn bright and invite lovers to consummate the promise of their love—and anything can happen!

In this wonderful boxed set of medieval tales, ONE MIDSUMMER’S KNIGHT holds the key in each story to a “happy ever after” ending! Step into a realm of adventure and magic with these four spellbinding tales of daring, chance, and love with ONE MIDSUMMER’S KNIGHT!

UNICORN SUMMER—LINDSAY TOWNSEND: When the faery queen casts a spell on a knight to change him into a unicorn, there seems to be no hope for him—except the stronger magic of true love!

MIDSUMMER’S PROMISE—KEENA KINCAID: Can a mercenary find his heart’s home with a beautiful healer? Her brother, a seer, says they are not for each other—but can their love change fate?

A FAIR BARGAIN—MELISSA JARVIS: When a maiden trades her own future happiness for that of her sister, it seems all is lost to her—until an Otherworld prince comes to her rescue and seals a different kind of bargain—made of unexpected and forbidden love.

A MISTY KNIGHT--CYNTHIA BREEDING: Can a daring knight’s love bring happiness to a beautiful woman who others call a witch? He must find a way to rescue the stubborn lass before she is killed, but can he do it as a human?

      

Tuesday, June 19, 2018

If reality was no option...


An interesting article came across my news feed last week: Why do you hate your job?

What intrigued me wasn't that most of us hate our jobs, it is called work, after all. No, what got my attention was the sudden realization that I didn't know whether the characters in my latest WIP hated their jobs—or what their dream job would be for those one of those days.

If you know me, you’ve know my escape-it-all job is to wait tables in a diner in a small Southern town on the coast or in the Keys. Over the years, I've had this discussion with a number of friends, who has 'dream' jobs ranging from ghost busters or wine tasters.

But I hadn't asked my characters. So I did. 

The hero of my current, if-I-every-finish-this-self-torture WIP has inherited the family’s small construction and renovation business. Yet he fantasizes about specializing in retrofitting green technology on home while living deep in a red state (most of his clients quietly ask for the retro and don’t want the neighbors to know—ha, ha)

When he wants to chuck it all, his dream job is to run river-rafting tours in Idaho.

Days later, I still don’t know how my heroine would escape. It’s driving me nuts. The job has to be borderline crazy, yet in complete keeping with her personality. She’s driven, ambitious, and likes people more in theory than in actuality. So waiting on tourists is not going to be her thing. Ha, ha.

But she’s not the type to hermit away either, even if she’s currently avoiding everyone in her home town as if she were in the witness protection program. I've come to the conclusion that she's not the type to ditch it all. She's the one who's going to dig in until it kills her.

What about you and the people in your heads? Do they dream of leaving it behind or would they dig in?

Keena Kincaid writes historical romances in which passion, magic and treachery collide to create unforgettable stories. She's attempting her hand at a contemporary, but it's not going so well. In fact, she's dug in and it will likely kill her. 

If you want to know more about her as an author, visit her Facebook page.





Tuesday, April 17, 2018

Let's Discuss the Blind Spot





Last month I wrote about breaking the Fourth Wall—that moment when the author does something that takes you out of the story—and making it impossible for readers to continue to suspend disbelief and enjoy the story.


For me, it was the moment when the author has the heroine assess her features in a mirror as a way of describing her to us.

That led to a discussion about another common trope: the heroine who doesn't realize she’s attractive.

I’ve been thinking about this way too much these past few weeks, but the more I’ve considered it, the more concerned I’ve become. 

Why is it our heroines are so blind to their own looks when I would lay bets that most of us are quite realistic in our assessment of our attractiveness even if we’d never admit it out loud?

Worse, in my readings, the woman who not only knows that she’s attractive, but is comfortable with her looks is usually the jaded mistress-slash-villainess.

So why do we do this?

Worse, what message are we sending to our readers?

So many women, even highly successful ones, struggle with their looks, feeling like they never look as they should. You have to be attractive enough to gain male interest, but not so attractive that other women would be jealous of you. And only a certain type of woman uses her looks to get what she wants (free drinks) or needs (her flat tire changed). 

In trying to make our heroines reflective of our common struggles, have we gone too far in reinforcing another impossible standard that women have to navigate daily?



Keena Kincaid writes historical romances in which passion, magic and treachery collide to create unforgettable stories. Her medieval heroines don’t always know how pretty they are—but that’s because they don’t always have mirrors. If you want to know more about her as an author, visit her Facebook page or her Amazon page.






Tuesday, March 20, 2018

Breaking the Fourth Wall

A few weeks ago, according to my Facebook feed, The Bachelor finale featured a seriously unsavory breakup between the latest contestants. I don’t watch the dating show, but viewers tore into ABC for airing the footage.

The episode reminded viewers that they weren’t part of a show, but rather voyeurs watching a reality TV show that appeared to become a little too real. They were no longer able to suspend disbelief.

As fiction writers, one of our jobs in to get readers to suspend disbelief –to allow themselves to believe your story, your world, your characters are real even though they know it’s fiction. But how do we create this willingness to stay in our story?

The steps are simple (in theory) and probably not new to anyone here.

Create a relatable situation or character

Stories have to have a semblance of truth, a backstory that make senses to us, and at least one character in whom we can see ourselves.

Stay within your world

Once you create your world, you have to maintain the logic of that world. Characters have to follow the rules of that world—or break them with consequences—and the conflicts and resolutions to those conflicts have to come from the world.

Include specific details

Small, specific details make a story more real, particularly if readers can relate to them. It’s not just the plush, linen chair. It’s the plush, linen chair that smells like a wet dog.

What might be harder to identify is what stops that suspension of disbelief. For viewers of The Bachelor, the breakup pushed them out of the make-believe world of the TV show and reminded them that these are people, not characters.

For me, scenes when a heroine looks in the mirror and inventories her assets throw me out of the story. I’ve never met a woman who did that. Most list their shortcomings.

What interrupts your suspension of disbelief?



Keena Kincaid writes historical romances in which passion, magic and treachery collide to create unforgettable stories. If you want to know more about her as an author, visit her Facebook page.


Tuesday, February 20, 2018

A Blank Page: Why Starting Over Is Sometime the Only Option


Jan. 27

A few weeks ago, I stood on the balcony of my rented beach condo and watched a group of workmen drive posts  for a new boardwalk across the dunes. 

The problem? The men had put the posts in the wrong place and at the wrong depth. I knew this because I could see the string marking the edges of the deck from my balcony. The men knew this because they kept consulting the plans for the boardwalk.

Then the crew set to work to ‘fix’ the mistake. 

They installed other posts a few inches inside the boundary to match the misplaced ones. 

They cut one post down a few more inches so it set at the ‘right’ height. 

Feb. 8-After the reset
They brought in a Ditch Witch and spent an afternoon, scooping out sand, piling up sand, and tearing up the dune.

On the third day, the foreman showed up. He took one look at the posts and lost his ever-loving mind. I think he cussed for an hour. Then the crew set to work digging up the posts, re-surveying the site, and setting new posts in place.

My current WIP is a lot like that darn boardwalk. I was no more than one-quarter of the way into it when I knew it wasn’t working. But I thought I could fix it in post. After all, I have eight novels under my belt, I know how to make running changes and tweak a scene to go from meh to whoa!

Feb.9
But not this story. A year later—and after several author friends gently scolded me for letting it get into such shape—I dug out the posts (characters) and resurveyed the landscape (plot) and started all over. I moved my heroine' journey of recovery up six months so her internal issues were about trust and starting over rather than constant pain and physical therapy. I remove one major arc of my hero's story because I couldn't kill off both of his parents, which opened the doors to changing the fate of my villain. He gets his comeuppance in a most satisfying way now.

Feb 12
The story is flowing better, the characters are sparking and conflicting, and the writing is fun again. But I lost a good six months to stubbornness. What were the signs the story was failing? Simple:
  • inconsistent conflict
  • sputtering sexual chemistry
  • no emotional reaction from me as I wrote

What about you? 

Have you ever tried to ‘fix’ a story or scene, knowing it was wrong from the first sentence but not wanting to go back to the foundations?

How did it work?




Keena Kincaid writes historical romances in which passion, magic and treachery collide to create unforgettable stories. If you want to know more about her as an author or looking for a Christmas gift idea, visit her Facebook page or her Amazon page.



Feb. 13

Feb. 16








Tuesday, December 19, 2017

When the Sun Stands Still


Have a holly, jolly Christmas. It’s the best time of the year

Well, I can’t say that Christmas is the best time of my year.

Don’t get me wrong. I love the holiday. I love festive mood, the gatherings with family and friends, and hope that infuses the season.

But the days are too short and too cold for someone who really prefers long, hot days of summer. Winter’s chill seems colder because I compare it to the 80-degree days of summer—not the minus 20 degree days of late January.

Maeshowe from the outside.
What I notice most, though, is that the “black of night” seems thicker and heavier, and I find myself craving light—as most people do. As people probably always have.

Years ago, I traveled to the Islands of Orkney in June. The days stretched on forever as the summer solstice neared. Nights were lit by soft sunlight and the residents of Kirkwall reveled in the extra light.

The tour guide at Maeshowe, a chambered cairne build roughly 3000 years BC, even noted the mood of the islanders, adding: “You should be here in December.”

Frankly, I couldn’t imagine being there in December when there is just a “soft glow” for a few hours, then darkness.

Sunlight peeks into the chamber of Maeshowe. 
Historically, Maeshowe is significant for the Viking graffiti carved into the walls. Psychologically, it’s significant because the last rays of sunlight slip down the long entrance corridor during the winter solstice. The purpose of that alignment is anyone’s guess, but the ancient builders clearly marked the passing of the darkest nights.

Celebrating the Solstice—and the slow return of the light—has a long history in the Northern Hemisphere. How and when Christmas became hopelessly entangled with the Solstice celebration is a long tale and probably one that we’ll never fully unravel, but I think the mixing of Christmas with lights and evergreens was inevitable from the moment the Roman Emperor Constantine first celebrated Christ’s Mass on Dec. 25.

The theology might not work, but the psychology makes sense. We crave light when the days are darkest. Regardless of whatever light you use to brighten these short days, Happy Holidays and best wishes for the new yaer.

Keena Kincaid writes historical romances in which passion, magic and treachery collide to create unforgettable stories. If you want to know more about her as an author or looking for a Christmas gift idea, visit her Facebook page or her Amazon page.




Tuesday, July 18, 2017

Change was Good: Plague and the end of Medieval Europe

This is the last of a six-part series about the Middle Ages with the goal of giving casual readers of medieval romances a better understanding of the time period. Today's topic is the Black Death and end of the Middle Ages.

Previously
In First the Fall, Then the Barbarians, we discussed the macro trends of the early medieval period and how they set the foundation for the Early Middle Ages. We painted kings and knights with a broad brush and learned the benefits of political stability in Huzzah! Knights, Kings and Living the High Life. We looked at war and social change in Ideals of Chivalry and Realities of War and discussed the lives of medieval women in Wives, Mothers, and Nuns. We considered the difference between ‘the church’ and ‘The Church’ in The Desire for God, Power, and Learning.


Some scholars put the beginning of the Renaissance—or the end of the Middle Ages—as early as 1215 with the reign of Frederick II, whose personality and intellectual curiosity heralded the Renaissance. Others put it as late as 1469, the year Lorenzo de Medici began ruling Florence and who could arguably be called the patron of the Italian Renaissance.

If I had to pick a date and defend it for a dissertation, I would argue for 1352, the year after the first wave of the plague burned itself out and the shattered survivors began the painful process of rebuilding their world.

The beginning of the End

Numerically, more died in the Spanish Flu epidemic between 1917-18, but total deaths were 3 percent to 5 percent of the global population.
Yersinia pestis, the bacteria associated with the Great Mortality, touched European shores in 1347, and in the course of five years, killed an estimated 50 million people from the Mediterranean to the North Sea. That’s 60 percent of the European population. In other words, every six out of 10 people living in Europe died; in some places, however, mortality was 80 percent. That would be 30 million to 48 million dead in California and 12,000 to 18,000 where I currently live.

Scholars will argue the exact number, but noodle the idea of at least half (if not more) of the people in your town dying of disease within a month. If you live in a town of 25,000, you will have ~15,000 people die in a few weeks. You have to find those people, bury them, divvy up their goods, and fill their place in the town’s social structure.

The Black death, also called Bubonic Plague because many victims suffered from swollen lymph nodes or buboes in the neck, armpit or groin, is often attributed to infected fleas biting humans after their preferred host, the black rat, died. However, based on the speed, virulence, and rapidity of transmission, many Plague scholars believe there were at least three strains of plague circulating Europe, including a pneumonic strain that appears to have been airborne.

Most scholars believe Yersinia pestis originated in central Asia and spread through China along the main east-west trade routes through commerce and war. It came to Europe in the fall of 1347 on Italian merchant ships fleeing Caffa (sometimes spelled Kaffa). In what might well be the most effective instance of germ warfare ever, when Mongol leader Jeni Beg realized he could not take the city because plague had destroyed his army, he lobbed the plague-riddled corpses over the wall, infecting those within the city (although rats came and went unimpeded by either army, so Jeni Beg can’t take all the credit or the blame). Defenders, fleeing plague, brought the disease to Marselles in the second week of September. By November, it was in Genoa, Venice and Pisa. These cities served as bridgeheads from which the plague conquered all of Europe.

Nothing to do but Wait and Pray

Horrifyingly, people knew it was coming. Stories arrived in a town or city weeks or months in advance of the assault. As people fled cities to avoid the plague (often bringing it with them) they told stories of thousands dead in a few weeks, of people dancing  in the morning, feeling ill in the afternoon, and being dead by evening, and of whole families lost and no one realizing it because their neighbors were dead, as well.

Surviving accounts tell us of mass burials and wild pigs and dogs digging up the shallowly buried corpses and of rivers being consecrated to handle the dead because a city ran out of land and people to bury its dead. One Italian man wrote of burying his wife and five sons with his own hands.

Modern epidemiologists may debate the exact cause of the Plague, but the key point from a societal point-of-view is simply this: all efforts to contain or stop the plague failed.
  • Medicine failed.
  • Human sacrifice failed (i.e. the slaughter of thousands of urban Jews accused of poisoning wells to kill Christians).
  • Prayer failed.


As a result of the horror and the failure of social systems to contain the suffering, the plague altered how people saw themselves and each other, weakened their faith in institutions and God, and bestowed unprecedented opportunities for mobility and prosperity on survivors.

Loss of Faith

As we discussed in an earlier post, the church (local parish priests and monks) and The Church (the institution) were the driving force of medieval society, but when society turned to the church in both forms for comfort, for answers, for intercession, the Church failed. It could neither offer answers nor comfort for the dying. Many churchmen fled their posts in an attempt to save their own lives and those that stayed, usually died.

Then—as now—people searched for reason behind the plague and in the absence of answers, many people believed the plague was divine punishment for sins. When prayers, votive churches, and the various fasts days called for by the Church failed to even slow the plague, people began to question the righteousness of the church and its divine role in society. This change in perception weakened people’s faith in the church, which led directly to the Reformation, as well the Enlightenment, separation of Church and State, the idea of upward mobility and concept of to individual liberty.

It also changed individual lives—often for the better.

Moving on Up

To be honest, if you survived plague, your life was almost immediately materially better off than it had been or would have been if the Black Death hadn’t overrun Europe. That’s harsh, especially to the millions who died horrific deaths, but it’s also true.

Prior to 1347, Europe was over-populated and culturally stagnant. The 12th century intellectual blossoming that led to the High Middle Ages had faded. Social mobility had come to a standstill and Europe struggled to feed itself, which means the majority of the population was malnourished and one bad harvest from starvation.

As Plague wiped out the population, many people found themselves the sole heirs to their extended family. When consolidated, this inheritance was often substantial enough to change the life of the survivor. This wealth included food animals as well as tools (looms, hence the word heirloom) and money. Food was no longer scarce or unaffordable, which means diet and overall health improved, as well.

Our survivors had health and wealth, skills that were in demand, and an understandable skepticism of the church. They could afford to educate their children. They were willing to risk their noble lord’s wrath and move to the city or to another estate where that lord offered a relief of heriot and daily wages, and were no longer content with their place in the Great Chain of Being. They were needed enough by society that they could ignore efforts from the nobility and the church to reinstitute “traditional values,” and efforts to put the lower orders back into their place failed.

Many of the social changes brought by the plague would have happened anyway, but probably not for another century or two. What the plague did was concentrate these changes into a few painful decades.

A New Outbreak

The plague resurfaced in Europe every decade or so until 1666, but we are not free of the bubonic plague. An outbreak occurred in the early 19th century in China and southeast Asia. Much of our medical knowledge of the plague comes from this outbreak.

And in 1994, bubonic and pneumonic plague surfaced in Surat India, killing only 56 people thanks to the quick and efficient response of India's government and modern antibiotics. Of note, however, is how people reacted to this outbreak. As with the 14th century outbreak, Doctors and nurses refused to treat the sick. People fled the city of Surat in packed trains going to New Delhi and other cities. The plague traveled with them. Others blamed local Muslim populations for poisoning the city’s water supply. Sigh.

About 20 people in the U.S. are infected with plague every year and a few die, mostly because the medical community doesn’t recognize symptoms in time.

If you’d like to learn more about the plague, let me know and I can most links and suggestions in the comments. Overall, though, the clearest learning from a study of plague, is simply this: individuals are fragile, but humanity is resilient.

I hope you have enjoyed this blog series of medieval Europe. I have only skimmed the surface of long and complex time period, so please ask questions. However, I am on a plane from Hawaii today, so feel free to discuss among yourselves until I land stateside.


Keena Kincaid writes historical romances in which passion, magic and treachery collide to create unforgettable stories. Her books are available from Prairie Rose Publications and Amazon. For more information on her stories, visit her Amazon page, her website, or Facebook.