Names have power and significance in romance, too. If a hero has a bulky, awkward name, do readers empathise with him? If a heroine has an 'old-fashioned' name, does she lose credibility?
I always try to discover if names have meanings and bear those meanings in mind as I write. For example, my heroine in A Knight's Captive is called SUNNIVA, which means Sun Gift. It's a Viking name, still used in parts of Britain. AVERIL is another name I would love to use sometime - it's meaning is 'Wild boar battle maid'.
I kept with Viking/Anglo-Saxon names in my early medieval romances "The Snow Bride" and "A Summer Bewitchment". At this time, I felt that more Norman names should be used for the Anglo-Norman characters in my stories and as such are an indication of class. After 1066 and the Norman conquest of England, the Anglo-Normans were in charge. My hero and heroine have older names, being part of the native peoples. MAGNUS, my hero has a name which means 'Great' and it's a name that was used by Scandinavian and Orcadian rulers. My heroine, ELFRIDA, has a name meaning 'hidden strength', which I thought appropriate, since she is a powerful witch. Also I wanted the 'Elf' part of her name to be a clue as to her looks and fey character.
Staying with the northern/Viking theme I called Magnus' and Elfrida's grandson SWEIN. as my Master Cook looks like Magnus and has some of Elfrida's gifts in magic. (To read more, please see my novel "The Master Cook and the Maiden.")
Nicknames can show affection, as Swein's brother does when he calls my burly cook 'Ram', explaining that his sibling gained the nickname after charging into situations as a boy, much like a battering-ram.
Nicknames can also reveal deliberate cruelty. Eithne, the heroine in my romance "The Viking and the
Pictish Princess" is called BINDWEED by the old woman who takes her in, mocking the child's loss and change in circumstances and dismissing the girl's need for comfort with the glib, "she clings" - like bindweed. Part of the story deals with the recovery of Bindweed's early memories and her true Pictish name, all as part of Eithne rediscovering herself.
Pictish Princess" is called BINDWEED by the old woman who takes her in, mocking the child's loss and change in circumstances and dismissing the girl's need for comfort with the glib, "she clings" - like bindweed. Part of the story deals with the recovery of Bindweed's early memories and her true Pictish name, all as part of Eithne rediscovering herself.
As a historical romance writer I try to use names I feel are appropriate to the period in which I'm writing. Sometimes names can deceive. RICHARD means 'tough ruler' but the Richard in "Sir Conrad and the Christmas Treasure," is revealed to be rather less than kingly!
So names do matter, as a clue to a character's background and nature or as a key to period. I am always filled with admiration for fantasy and science fiction romance writers who devise names. Of course, sometimes names cannot be avoided: I read a good historical war-and-romance novel (The Assyrian by Nicholas Guild) and the names there - all authentic - were very difficult to me: very long and multi-syllabled.
For me, at least, some names are to be avoided!
Do you have favourite names or names with particular meaning?