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Tuesday, August 9, 2016

Free The Writer

By Kristy McCaffrey

While not everyone is set on writing the next great novel, we all want to tell our stories. A wonderful book to help get you started, or to reignite a passion that may have become stagnant, is Writing Down the Bones: Freeing the Writer Within by Natalie Goldberg. First published in 1986 and rooted in Zen methodology, her advice is simple: trust in what you love, trust in your own mind, and everything else will follow.

“Writing is a path to meet ourselves and become intimate.”

Goldberg points out that people often write from a mentality of poverty, thinking they need a teacher to tell them what to do or how to do it. The opposite is generally true. We learn writing by doing it. And to write well one must read a lot, listen well and deeply, and write a lot.

We live in a society that rewards being busy, but that often isn’t fruitful or soul-fulfilling. Beware of monkey mind, says Goldberg, since it likes to create busyness that can keep us from our true heart. She believes that everyone has talent, but it’s obviously easier for some to tap into it than others. Human effort is necessary, so don’t shy away from doing the work. But it’s also more than just the work, it’s allowing and recognizing that the effort has awakened us. This lets a writer become aware and mindful, to shape the talent into something useful, something that resonates.

“Finally, one just has to shut up, sit down, and write. That is painful. Writing is so simple, basic, and austere.”

Develop a writing practice, a writing workout each day. A runner doesn’t improve without consistent running. The same is true for a writer. So, carve out this space, but know that it’s okay to write without a destination. Expectation can freeze the process. It also takes time to reflect on certain ideas, certain experiences, before they can be put down on paper. Goldberg refers to this as composting. These things can’t be rushed, so best to cultivate patience and acceptance. It can make the writing life less anxiety-provoking.

She offers techniques to stop fighting yourself (and the endless distractions that keep you from writing) such as: give yourself free time in the morning to do whatever, but at 10 a.m. you must sit down and write something; or you must fill at least one notebook a month, not with quality but quantity; or, as soon as you wake up, go directly to your desk and write (eating and teeth brushing can wait). Another technique is timed writing and first thoughts. This can remove the critic filter than often shoots down an idea before it can be fully crafted.

Need a writing prompt? Take five minutes to write down your deep dreams. And then? Don’t ignore what you wrote. Actually, it will likely be difficult to avoid your thoughts now that they’re laid out before you. Simply said, it will change your life.


This book can be read straight through, or sporadically when needed. I guarantee that at least one of Goldberg’s many suggestions and insights will spark something inside yourself and may just lead you to write down the bones.
* * * *



Kristy McCaffrey has been writing since she was very young, but it wasn’t until she was a stay-at-home mom that she considered becoming published. She’s the author of several historical western romances, all set in the American southwest. She lives in the Arizona desert with her husband, two chocolate labs, and whichever of their four teenage children happen to be in residence.


Connect with Kristy

Monday, August 8, 2016

TWENTY QUESTIONS - The Author Version


Recently on Facebook, I was tagged to answer twenty questions about my writing. I decided to be lazy--- er, efficient, and post my answers here for all of you. 


1.) What is your Author name? Tracy Garrett.  I worked too hard to get published and didn't want anyone to not be able to find my books. lol

2.) What is the first book you ever published?  TOUCH OF TEXAS

3.) What is your publiversary? October, 2007

4.) What is your favorite book you've written thus far?  The one I’m working on right now. Seriously! Once they go out into the world, they get to live on their own.

5.) What book took you the longest to write? My first published one.

6.) How long did it take you? It took years to write, edit, edit some more…

7.) What kind of music (If any) do you listen to while you write? Celtic, mostly.  I don’t set up playlists or choose theme songs. I want music that will get me into the zone and keep me there.

8.) Who is your favorite character from any of your books? Now that’s like have to choose a favorite child. Probably Jake from TOUCH OF TEXAS.  He was my first and that makes him pretty special to me.

9.) What are you currently working on?   I’m working out the plot points on two novellas, one in the River’s Bend series and one that will be a spin off series. 

10.) Do you have anything you snack on while you write? Nuts, celery (not because I love it, mind you!).  CheezIts used to be my snack of choice, but…

11.) What is your favorite quote or line from one of your books?   This is a tough question—I’ve never considered quoting myself. But, since you asked, this is from WANTED: THE SHERIFF. Martha (the heroine) is discussing Martha’s obsession with Sheriff Matthew Tate and Mary is urging (read badgering) Martha to ask the man to the spring dance.
   Mary…slipped an arm around Martha’s waist as they walked to the door. “Please don’t be angry with me.
   It’s just that I know how you feel about Matt.”
   “And you want me to be happily married, like you.”
   Mary hugged herself and danced a little jig with surprising grace for a woman soon to deliver her first
   child. “Sorry, but no one could possibly be as happy as I am.”

12.) Are you a self published or traditional published author? Traditional, with Kensington/Zebra Books & Prairie Rose Publications.

13.) What is your writing inspiration? Everything around me. Sometimes a song will start a storyline in my head; or I’ll read an article that fills in a plot point.  Even the names of my ancestors can set characters up for me.

14.) What genre do you write?  Western historical romance

15.) Do you have any writing rituals?  Nope.

16.) Do you have a specific place you write or time?  Anywhere I have time.

17.) Do you have any advice for inspiring writers?  Write. Write more. Then write some more.

18.) What are your writing goals?  To make the New York Times list and to supplement our retirement income—someday.  Well, you did ask...

19.) What authors inspire you and your writing?  There are many who inspire me—some inspire me to keep going even when the going is tough; some to try something new; some set a lofty example for me to strive to each; others have become dear friends and cheerleaders (you know who you are).  And I couldn’t do this without any of them.

20.) What will be your next release?  Since HER SANCTUARY just came out in the fabulous A KISS TO REMEMBER   You’ll just have to check in on me and see. 
anthology, I’m working on two stories right now, either of which could be the next one out.

Facebook: TracyGarrett.author
Twitter: @TGarrett_Author

Sunday, August 7, 2016

Colorado and Gemstone Mining

Post by Doris McCraw/Angela Raines-author


In my current Christmas short story I've one of the young characters finding a gemstone. Now you may be saying, gemstones in Colorado. Well, if you'd been watching 'Prospectors' you would know it is a reality. But was it so in the 1870-80s? Turns out it wasn't too far fetched to have such a thing happen.

In the late 1800s, Aquamarine, the official gemstone of Colorado, was mined on Mt. Antero. At 14, 275', Mt. Antero is one of the most prominent peaks in the Sawatch range and is the 40th tallest in North America. Most of the mining is done about 12,000' and above. As a side note, Mt. Antero was surveyed by the Pike Expedition of 1806.
en.wikipedia.org
Mount Antero, taken from along U.S. 285, near the town of Nathrop

Amazonite and Smokey Quartz are mined in the Pikes Peak region. The Native Americans used amazonite to make beads to wear and trade. By the late 1800s, commercial mining began and the crystals were transported east to be prepared for sale. Most of Amazonite and Smokey Quartz gemstones can be found within a four mile radius of the summit of Pikes Peak. 

en.wikipedia.org 
Amazonite from the well-known locality on Pikes Peak, Colorado. Size: 5.5 x 3.1 x 2.5 cm.

Topaz crystal is found near the Tarryall Area north and west of Pikes Peak. Indications are this occurred in the1880s.People in Florissant, closer to Pikes Pike, have said they found topaz in their region much earlier.

csmsgeologypost.blogspot.com
A bi-color sherry and blue topaz crystal collected from rocks of the Pikes Peak Batholith, Tarryall Mountains, Park County Colorado.

Colorado also had the first commercial producer diamond mine in North America. Located on the Colorado-Wyoming border, it was in production from around 1976 to 2000. For more information:http://bit.ly/2b0KDVY

Most of these gemstones are now mined for collectors and a lot of rock hounds can be found up and down the Pikes Peak region. For more information on this subject here are some links you may enjoy. http://bit.ly/2aPkPdF  ; http://bit.ly/2aBBPo5 ; http://wxch.nl/2aoVbOI

So the next time you're in the Pikes Peak region, let's go gemstone hunting!


Angela Raines is the pen name for Doris McCraw. Doris also writes haiku posted five days a week at – http://fivesevenfivepage.blogspot.com and has now passed one thousand haiku and photos posted on this blog. Check out her other work or like her Amazon author page:  http://amzn.to/1I0YoeL


http://amzn.to/2aoVSaQ

Saturday, August 6, 2016

Knights of the Old West - Living the Code by @JacquieRogers #HeartsOfOwyhee




Knights of the Old West
by Jacquie Rogers

A certain mythos of romance holds a strong place in my heart. And of course, when I talk about romance, I’m gonna talk about men. As a woman, and as a romance writer, men fascinate me. They’re so incredibly complicated but at the same time so basic. Women are complicated and basic in other ways, leaving the man/woman relationship mystifying as to how or why it ever works. The romance genre delves into this complexity in every book.

When a woman looks for a mate, and finding a mate is what romance is all about, she’s hardwired to look for the three Ps in a prospective candidate: Provide, Protect, and Procreate. Now, nearly all men are ready at any time for the third P (although we ladies are a bit picky about who fathers our children), but quite a few men aren’t all that keen about the first two.

And that’s why we women love the whole idea of knights and cowboys. Yes, I lumped them into the same sentence. Take a look at the Texas Rangers oath for deputy rangers:

  • Be Alert
  • Be Obedient
  • Defend the Weak
  • Never Desert a Friend
  • Never Take Unfair Advantage
  • Be Neat
  • Be Truthful
  • Uphold Justice
  • Live Cleanly
  • Have Faith in God

You'd probably guess that was the Texas Rangers oath even if I hadn't told you simply because its the crux of what an American cowboy is even now.

Now here’s the Knights Code of Chivalry described in the Song of Roland:

  • To fear God and maintain His Church
  • To serve the liege lord in valour and faith
  • To protect the weak and defenceless
  • To give succour to widows and orphans
  • To refrain from the wanton giving of offence
  • To live by honour and for glory
  • To despise pecuniary reward
  • To fight for the welfare of all
  • To obey those placed in authority
  • To guard the honour of fellow knights
  • To eschew unfairness, meanness and deceit
  • To keep faith
  • At all times to speak the truth
  • To persevere to the end in any enterprise begun
  • To respect the honour of women
  • Never to refuse a challenge from an equal
  • Never to turn the back upon a foe

 That’s just a longwinded way of saying the same thing as the Texas Rangers did.

Truth is, people haven’t changed much, if ever. Our idea of the US Navy SEAL, the 19th Century cowboy, or the 13th Century knight all bring to a woman’s mind the perfect man to give us children, provide for them, and to protect them from harm so they can thrive into adulthood.

Our ideal romance hero is intelligent, loyal, honest, brave, and oh-so-sexy. My hero in Much Ado About Marshals is placed in a situation that tests him, because if he is loyal, he can’t be honest, and if he’s honest, he will betray his best friend. What a dilemma for a man who lives by the Knight’s Code of Chivalry, even if he’d never heard of such a code, because that’s the way of the good guys in the Old West.

This same situation could have played out in Medieval England as well as in the American Old West. It was Sir Lancelot’s dilemma in the days of King Arthur and the glorious Round Table, and now it’s Cole Richards’ dilemma in Much Ado About Marshals, set in the dusty desert of Owyhee County, Idaho. The cowboy’s word is his bond. Honor is everything.

Men are men. They’re warriors, hunters, and protectors. It’s through that tough exterior that women find his core of loyalty, honor, and most of all, love. The sweetest of women can tame the hearts of the toughest of men. This is our fantasy--this is what we’ve dreamed about since we were little girls.

And that’s why men in chaps and spurs melt the ladies' hearts.



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Wednesday, August 3, 2016

The Cold War and Interstate Highways by Sarah J. McNeal





Some of my Wilding family stories take place in the 1950’s, a time of incredible change and advancement—and the threat of danger from a foreign power.
After World War II ended, a new threat to Americans surfaced—the threat of Russia and communism. Those of us who can remember this time period in history, may recall the sense of unease about an attack from Russia. In school we practiced how to respond to attack if we were in class. We also practiced how to board school buses in an orderly, but quick fashion to be taken to predetermined destinations considered safe.

Meanwhile, Russia was making scientific advancements in space. Tension really ramped up when they successfully launched Sputnik. It was enough to not only scare the begeeses out of us, but challenged Americans to compete. We had to get with the program or we would be speaking Russian in our near future.

While the scientists worked on space missiles and satellites, President Eisenhower wanted some practical means of evacuation routes available to Americans to escape from cities to safer locations as well as a way to quickly mobilize defenses and supplies. During WWII while he commanded in Europe, he saw first-hand how the Germans had constructed major highways they used for transporting supplies and for rapid mobilization of military vehicles and soldiers. Eisenhower wanted to undertake the huge project of connecting all of the United States in the same way. We have a big diverse country both culturally and geographically, but Eisenhower was determined. And so, On June 29, 1956, President Dwight Eisenhower signed the Federal-Aid Highway Act of 1956 and the building of a massive interstate highway system began.


The law authorized the construction of a 41,000-mile network of interstate highways that would span the nation. It also allocated $26 billion to pay for them. Under the terms of the law, the federal government would pay 90 percent of the cost of expressway construction. The money came from an increased gasoline tax–to 3 cents a gallon from 2–that went into a non-divertible Highway Trust Fund. I have a difficult time trying to wrap my mind around just a 3 cent tax on gasoline to pay for this tremendous project and still, gas was less than 50 cents a gallon. We can’t seem to even get the money together these days to pay for repairs on the interstate. Just sayin’…

As we all know, nothing happens in the United States without some objection—it’s just the way Americans operate. As soon as the unpleasant ramifications of all that road building began and neighborhoods and urban areas began to experience unpleasant consequences people began to protest. The construction displaced people from their homes, sliced communities in half and led to abandonment and decay in city after city.

People began to fight back. The first victory for the anti-road forces took place in San Francisco, where in 1959 the Board of Supervisors stopped the construction of the double-decker Embarcadero Freeway along the waterfront. During the 1960s, activists in New York City, Baltimore, Washington, D.C., New Orleans and other cities managed to prevent road builders from plowing through their neighborhoods. (As a result, numerous urban interstates end abruptly; activists called these the “roads to nowhere.”) “Slum” areas were intentionally routed out. I would think this would be a plus, but where do desperately poor people go? Progress, so it seems, requires sacrifice and sometimes negative consequences. Still, as my hero, Spock, would say, “The sacrifice of a few for the many…” or something like that. Anyway, despite all the protest and hoopla, the project continued over the next several years to its completion.

The 41,012 miles of interstates have a national design standard which includes the following:
•       a minimum of two lanes in each direction
•       lanes that were 12 feet in width
•       a 10-foot right paved shoulder
•       design speeds of 50–70 mph
Further legislation over the years continued to expand the total length of the system, which now stretches for more than 46,380 mi. In 1990, in recognition of President Eisenhower's pivotal role in building the national system of interstate highways, President George Bush signed legislation officially renaming it the Dwight D. Eisenhower System of Interstate and Defense Highways.

It’s difficult to imagine our country without these super highways now. If someone wants to get somewhere in a hurry, super highways are the best bet—at least most of the time. I’m more of a back road kind of driver. I like to avoid the monotony and road rage out there on the major thoroughfares, but for transportation, evacuation and speed, interstate highways are a blessing.



Here are 10 interesting factoids regarding the National Interstate:

1. IT TOOK 17 YEARS TO CREATE AND FUND THE IDEA OF THE INTERSTATE.
Two members of the U.S. Bureau of Public Roads presented a report to Congress in 1939 that detailed the need for a non-tolled road system in the U.S. The Federal Highway Act of 1944 allowed for development of a 40,000 mile National System of Interstate Highways, but it didn’t provide any method of funding, so it went nowhere. It wasn’t until the act of 1956 that funding was finally allocated to its construction.
2. PEOPLE FIRST LOVED, THEN HATED IT.
When the Interstate Highway Act was passed, most Americans thought it was a good idea. But when construction started and people, especially in urban areas, were displaced and communities cut in half, some started to revolt. In the 1960s, activists stopped construction on highways in New York, Baltimore, Washington, D.C., and New Orleans, which resulted in several urban interstates becoming roads to nowhere.
3. EVERY STATE OWNS ITS PORTION (INCLUDING THE POTHOLES) …
This means the state is responsible for enforcing traffic laws and maintaining the section of highway in its borders. Currently, the “largest pothole in the country” award has been claimed by this section of I-75 outside Detroit.
4. … EXCEPT FOR ONE (FORMER) BRIDGE.
The Woodrow Wilson Memorial Bridge (I-95/495) that crossed the Potomac River into Washington, D.C. used to be the only part of the interstate system owned by the Federal Highway Administration. But issues over it being too small led to the creation of a new, bigger, taller bridge. As for the old one? It was destroyed, in part by people who won a contest for having “the toughest daily drive.”
5. THE STATES SET THE SPEED LIMITS.
However, in the early 1970s, all 50 states set their speed limits to 55 mph. A clause in the Emergency Highway Energy Conservation Act signed into law by Richard Nixon dictated that if a state did not set its highway speed limit to 55 mph, that state would lose its federal highway funding.
6. THE SIGNS ARE TRADEMARKED.
The red, white, and blue shields used to designate interstate numbers are trademarked by the American Association of State Highway Officials. The original design for the shield was drawn by senior traffic engineer Richard Oliver of Texas and selected out of 100 entries in a national design competition in 1957.
7. INTERSTATES AND HIGHWAYS WITH THE SAME NUMBER CANNOT RUN THROUGH THE SAME STATE.
The numbering system used for interstates is intended to be the mirror opposite of the U.S. highway system, so drivers won't be confused about whether to take Highway 70 or Interstate 70. For example, I-10 runs through southern states east-west (as all major even-numbered interstates do; odd-numbered interstates run north-south), while Highway 10 runs through northern states. Because I-50 would run through the same states as Route 50, the number will never be used.
8. I-99 DOESN'T FOLLOW THIS SYSTEM, BUT THAT'S NOT THE FEDERAL HIGHWAY ADMINISTRATION'S FAULT.
According to the Federal Highway Administration's numbering system, Pennsylvania's former US 220 should have been named something like I-876 or I-280. But Representative Bob Shuster wanted a catchier moniker for it. According to The New York Times, as a child he was fond of the No. 99 streetcar, which he used as his inspiration for the road's tag.
9. THE INTERSTATE IS PART OF THE U.S.' ATOMIC ATTACK PLAN.
A major concern during Eisenhower’s presidency was what the country would do in the event of a nuclear attack. One of the justifications for the building of the interstate system was itsability to evacuate citizens of major cities if necessary.
10. THERE ARE NO DESIGN RULES DICTATING THE SHAPE OF ROADS.
A major myth of the interstate system is that one out of every five miles is straight so an airplane can land. While this has happened, there are no rules or regulations that require such a design. Also, there are no requirements for curves to be designed into a highway to keep drivers awake. However, the Federal Highway Administration does admit that this is a perk of winding roads.

None of my Wildings have driven on or mentioned an interstate highway so far. Maybe, while I’m writing in the 1950’s time period I should at least mention it. My recent release of HOME FOR THE HEART takes place in the mid-1950's. Banjo Wilding’s last two sons are twins (Hank and Kit) and they’re all grown up now. Hank has shown up in a previous story just as an introduction and so did the straight-laced Lucy Thoroughgood in “Unexpected Blessings” in the anthology titled LASSOING A BRIDE. In my new release, Lucy and Hank discover a mutual attraction for one another, but a Lakota prophesy could end in destruction of any happiness they may have found.


HOME FOR THE HEART

Love doesn’t come easy…for some, it may never come at all.

Lucy Thoroughgood has gone and done it now—fallen in love with Hank Wilding, a man she’s known all her life. He’s content with friendship, but Lucy’s heart has flown the coop and she knows she’s in love with the determined bachelor. When she visits him with a proposition—to let the orphans she cares for learn to ride his horses during the summer—he surprises her with one of his own. She must accompany him to the dancing lessons he’s signed up for.
Secretly pleased, she hopes that perhaps this arrangement might lead to more than friendship. But Hank’s loved hard and lost, with his engagement to one of the popular town girls going south two years earlier. He’s sworn to never lose his heart to another—including Miss Lucy Thoroughgood.

A teenage orphan, Chayton, could be the key to thawing Hank’s heart—but danger follows the embittered boy. Will Hank be able to give Chayton the home he yearns for—or will the boy’s past bring only bring sorrow to those he cares for? When a Lakota premonition becomes reality, Lucy’s life hangs in the balance. Will Hank have the chance to let Lucy know how wrong he was?

Excerpt: (the bargain)
In the quiet of the barn filled with the smell of fresh hay, horse manure, and leather tack, Hank sensed rather than heard someone enter the building. Ah, the smell of sunshine and roses. Must be Lucille Thoroughgood. Without turning to look at her, he set the pitchfork against the wall of Lonesome’s stall. “What do you want, Lucy?” he grumbled as a greeting.
“Mr. Wilding, I have something I’d like to propose to you.” Her voice sounded tense. When he turned to face her, he saw those blue eyes dart away from his to peer at the straw on the floor. She promptly straightened her spine and must have forced herself to look him straight in the eye. Her starched manner made him want to mess with her.
“A proposal?” He moved closer to her…maybe too close. He felt something shift in his chest like a warning bell. “Well now, I haven’t ever had a lady propose to me before.” He joked, badly, just to get her goat. Generally, women were not to be trusted. He’d learned that lesson the hard way. But Lucy was his old friend since grade school. Even though she must have been born straight-laced and proper, she spoke her truth, plain and simple. Beneath that barbed wire exterior beat a heart of gold. 
Lucy propped her fists on her hips and he thought she looked like a charming sugar bowl all ruffed up in her pink flowered dress and her sweet, straw hat that sat askew on her gleaming brown hair. She knitted those brows together and narrowed her eyes at him. “I’m not proposing marriage to you, Mr. Wilding. I’m proposing a business deal…sort of.”

Excerpt:  (the Lakota Prophesy)
Kyle brought the truck to a stop as close to the front door as the driveway allowed, but before Lucy could open the door, Kyle clasped her arm. She turned to face him and noticed a faraway look in his dark eyes. “What is it, Kyle? Is something wrong?”
His face took on a grim expression when he spoke. “All I know is something dark is coming. Be careful, Lucy.”
Something in her chest clutched. Kyle had a special gift and his words were not to be ignored. “Is something bad going to happen?”
“I’m afraid so. I wish I knew what it was, but I don’t. I only know it’s evil.”
“You’re scaring me, Kyle.”
“I don’t mean to. Hank and I will keep an eye out. Tell your dad what I said.”

Excerpt: (the prophecy comes to pass)
Love Me Tender played on the radio and reminded Hank of Lucy dancing with him to the song. The light, fragrance of roses filled his senses. Lucy’s perfume.
Reality settled back into Hank’s consciousness as they entered the emergency room.

Buy Links:
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Sarah J. McNeal is a multi-published author of several genres including time travel, paranormal, western and historical fiction. She is a retired ER and Critical Care nurse who lives in North Carolina with her four-legged children, Lily, the Golden Retriever and Liberty, the cat. Besides her devotion to writing, she also has a great love of music and plays several instruments including violin, bagpipes, guitar and harmonica. Her books and short stories may be found at Prairie Rose Publications and its imprints. Some of her fantasy and paranormal books may also be found at Publishing by Rebecca Vickery and Victory Tales Press. She welcomes you to her website and social media:


Monday, August 1, 2016

WHAT IS IT THAT TAKES A STORY FROM "GOOD" TO "GREAT???" By Gail L. Jenner

As writers of romance, each of us has a perspective on what makes the PERFECT romance, right?  For some, it’s all about characters. For others, it’s all about conflict. For others, it might be the setting or the history associated with western or historical romances...

When first starting out, I wonder how many of us believe we must follow a prescription or formula. Critics of the genre always seem to point to this as a “weakness” or flaw. Of course, writers of mysteries or thrillers are no less subject to a similar criticism. In truth, stories of any sort contain certain patterns that attract readers; eg: as in romantic films, the audience expects happy endings vs. tragic endings. 



But as we explore the genre, we all develop a broader range of understanding of what makes a good romance a great romance...not that we achieve it with every story we write! It’s that element of writing, however, I want to look at: what is it that takes a story from “good” to “great?”  Or, what elevates a story?
****************************

According to Author Elizabeth Sims, “There are subtle differences between fiction that’s passable and fiction that pops—fiction that shows that you know what you’re doing. Consider agents and editors your über-readers. If you win them over, a larger audience won’t be far behind.”

I think focusing on a specific audience such as that is probably a powerful tool. At Prairie Rose, we are—of course—quite lucky in having our publishers eager and ready to consider our writing for publication, so focusing on THEM is a great “first step” in upping the ante, so to speak.

There are other elements, too, that can ramp up a story. For me, one is secondary characters. These individuals can provide comic relief or act as catalysts. They can provide a harsh and/or curious perspective on our main characters through their dialogue and actions and perceptions. Think of great films whose secondary characters increase the attraction of the audience: eg: R2D2 and C3PO or Chewbacca in “Star Wars!” Think of the sidekick characters in western films or comedies, and, more provocatively, Shakespeare or Dickens or Jane Austen. Sometimes these characters will take a film or story out of the realm of the ordinary into the realm of the delightful or powerful.

Another element is incorporating all five of our senses, eg: more than just sight or sound. Romances incorporate the beautiful people, but that is a visual. What about using more of our senses in describing our characters or settings? Incorporating the sense of smell—either good or bad—will flesh out our characters. Things to consider: what does a mountain lake smell like? What smells or feelings does the desert evoke?

Does our hero smoke, or chew? Is he a field hand or cowboy who will definitely “reek” at times? Or is he a more refined hero--and how does that affect the senses?
On a personal note that often lends itself to my western heroes:  My cowboy/ranching husband rarely walks in the door without bringing a definitive smell with him, whether it’s from cutting hay or working cows or wallowing in the mud...  And, contrary to some opinions, those smells remind me of the very physical nature of his work and life and can be alluring. YES, alluring!

Along with broadening our use of the senses, we can broaden our perspective on what makes a character attractive...Again, according to Author Elizabeth Sims, she noted that she had a student who shared, ““I once had an art instructor say, ‘If it didn’t have to be pretty, what would you draw?’”

GREAT question! What a challenge for us as authors. Of course, we have the template of Beauty and the Beast and that template has been used many times over. But it is a successful kind of storyline to study. Can our hero be beautiful on the inside, even if he’s rugged or damaged on the outside? Realistically, a soldier returning home from the Civil War would very likely be damaged—if not physically, certainly emotionally—and that might well be reflected in his walk, his talk, his demeanor.

And perhaps the last element to consider is two-fold: let’s make our readers either laugh OR cry. Not all at once, of course, but that notion takes us from the realm of a pleasing story line to a powerful one. What has happened in our characters’ lives that can be incorporated into their internal or external conflict? How can we raise the stakes of their potential love affair—and the potential failure or success of their relationship?

Again, develop secondary characters that can weave their own magic into the story and provide a comic relief or heavy-handed insult that revs up the drama. This is emotional suspense at its core: providing realistic (not caricature-like) emotions that rise and fall as the action and conflict grows. But it takes time to let these emotions develop, whether from past disappointments or failures to unfulfilled dreams or heartache. 

At the same time, we must avoid or eliminate the superficial or “cheap” emotions that are really only plastered onto the exterior surface of our characters! They must rather come from a heart-felt and deeply embedded aspect of DEEPER character.

Of course, other writers may have other kinds of ideas about what takes a good story to the level of great. The above “list” reflects some of the things I value when I read a story and sigh, “Wow....loved it!” I think about classic novels, but also novels I have read more recently, eg: Sarah’s Key or Nightingale or Widow of the South.  With each of these stories I was left with a full heart—not wanting the story to end.  

And isn’t that our goal—to affect our readers so deeply they want to come back to our stories time and again????
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Gail L. Jenner has enjoyed working with Prairie Rose Publishing and her collection of stories published by PRP has grown since "joining the gang" in Dec. 2013 with the re-release of her WILLA Award-winning Across the Sweet Grass Hills


"Prettiest Little Horse Thief"  and "July's Bride" are two of her other favorites.....and then there are the boxed sets and anthologies!  For more about Gail, check out: www.gailjenner.com or http://www.amazon.com/Gail-Fiorini-Jenner/e/B005GHR47O