Search This Blog

Showing posts with label #cowboys. Show all posts
Showing posts with label #cowboys. Show all posts

Tuesday, September 1, 2020

The Characters Behind the Characters - The Gentleman Thieves

The Characters Behind the Characters - The Gentleman Thieves   

C. A. Asbrey

It’s no secret that The Innocents Mysteries Series is partially inspired by the story, and the movie, Butch Cassidy and the Sundance Kid. The idea of popular outlaws, who planned and trained to be better at stealing, and who had a mystique which followed them into a charismatic twilight of a mythical new life which allowed at least one of them to life happily-ever-after in domestic obscurity is an enticing trope. It seemed even more exciting to make the love interest a woman on the other side of the law.
But it also took me on another line of research. My characters were criminals, but who had limits as to their cruelty and venality. But did people like that really exist, or was it just a romantic fiction? Without dwelling too much on the story of Robert LeRoy Parker and Harry Longabough, and whether or not either of them did manage to go straight and live happily ever after, what about the rest of the criminal world?
My Innocents Mysteries series of books feature criminals who, while not being exactly squeaky-clean, are polite(ish), humane, and even chivalrous. So, did people like that actually exist or is the concept ridiculous?  

Charles Arthur Floyd


Let’s start with those who were definitely out for themselves, but who didn’t mind helping out the little fella while he was there. Charles Arthur Floyd, A.K.A. Pretty Boy Floyd hated his nickname.  A payroll master at a robbery described Floyd as “a mere boy — a pretty boy with apple cheeks.” Like his contemporary Baby Face Nelson, Floyd despised his nickname. His dying words, after being shot multiple times were in response to being asked if he was Pretty Boy Floyd replied, “I’m Charles Arthur Floyd.” Despite  an active criminal career he was often protected by locals in Oklahoma, where he was seen as the “Robin Hood of the Cookson Hills”. He had a reputation of helping to look after the grindingly poor by raiding shops to give away the food to starving people. He was also said to destroy mortgage records when he raided banks, although how the householder was supposed to know the bank no longer had proof of their mortgage debt is not clear.
Due to the violence of the men he worked with it’s hard to put Charles Arthur Floyd in the category of Gentleman Thief, but he does nod towards the dichotomy under discussion.

James Freney

Our next Gentleman thief actually lived to a relatively old age (69) for the 18th century and certainly seems to be a better fit for the model. James Freney was an Irish highwayman in the 18th century. He was driven to a life of crime when the bar he ran made insufficient profits to pay the exorbitant fees charged by the city corporation. He was officially proclaimed an outlaw in 1748. At the time, Ireland was suffering under England’s Penal Laws, which kept the Irish out of many  professions. This repression drove Freney to close down his pub and saddled him with so many taxes that he had little choice but to look outside the law to make ends meet. He lived to his otto, “Rob only those who are worth robbing.”
Like every true gentleman criminal, Freney insisted his gangs adhere to a code of honor, which included remaining courteous, returning goods if they held sentimental value or the victim needed them, and assisting the poor whenever possible. Even so, he was a first-class marksman and never feared getting into a brawl if someone crossed him.
He reigned supreme in his area for five years before he was captured. Freney work out a deal with the chief justices in which Freney would be allowed to emigrate as they feared civil unrest of such a hero was hanged. His gang were not so lucky and ended their lives on the gallows.  He published his autobiography, The Life and Adventures of Mr James Freney in 1754It was a huge success and Thackeray included Freney in the novel The Luck of Barry Lyndon, where he has Barry encounter Freney on the highway. The incident appears also in the film Barry Lyndon (in the film, Barry refers to the man about to rob him as “Feeney”). Local landmarks named after him include Freney’s Rock and Freney’s Well, and he was the hero of The Ballad of the Bold Captain.

Bill Carlisle

Our next candidate  for Gentleman Thief was one of the last great train robbers of the American Old West, a career he took up on something of a whim. An orphan, he drifted from one job to another, riding trains, working in the circus, and performing other odd jobs. In February 1916, he found himself in Wyoming with no prospects, only a nickel to his name, and a gun. Carlisle’s first holdup was a dime novel stereotype. He sneaked onto the train and fired a warning shot into the roof to prove it was a legitimate robbery (there were some doubters). He covered his face with a white bandana, gathered the loot, but tossed a few coins to the porter to make up for lost tips. He gave another man a silver dollar to pay for his breakfast. A woman tried to grab his gun, but he evaded her and gave her a bow before leaping from the train. The “White Masked Bandit” was now $52 richer. and he didn’t stop there.. He robbed Union Pacific Railroad several more times until they eventually offered a $6,500 reward for his capture, dead or alive. That’s $150,030.73 today. Motivated by the large reward money, a posse caught him in May 1916, and Carlisle was sentenced to life in prison. He later escaped, was recaptured, and then was paroled in 1936 for good behavior.Like other gentleman thieves, Carlisle had a moral code. As he never hurt anyone and never stole from women, children, or servicemen, I think he is a good candidate for the title. In one of his capers, he was attempting to rob a train when he realized it was full of soldiers returning from World War I. He let the men keep their money and claimed that he would have fought alongside them had he not been in prison at the time.

Bill Miner

Bill Miner epitomized what it meant to be an Old West outlaw and he had a longer career than Jesse James. This was mostly because he was terrible a evading capture and spent most of his career in jail. He was imprisoned seven times, escaped four of those times, yet still spent a total of 35 years behind bars. His criminal career stretched between 1865 and 1911. He was a true highwayman, robbing everything from stagecoaches to trains, and he spent his money on women and whiskey – and as the old saying goes, wasted the rest. He was reputed to be the first to say “put your hands up, and nobody gets hurt.”  Unlike other outlaws, he wasn’t known for spittin’ or cussin’ or gun-slinging. He was polite and soft-spoken. After his death, a major newspaper ran a four-column story on Miner, describing him as a “kindly, lovable old man, whose thoughts were humorous, whose manner was that of one who was a friend to all humankind . . . the most courtly, the most kindly spoken, the most venerable man . . . one whom they all regard with affection and something of esteem.” Miner had secured that soft spot in so many people’s hearts by stealing almost entirely from corporations, feeling that they robbed the common man. Many agreed, and he became a folk hero in both the US and Canada. On the occasions when Miner had to steal from an ordinary person to, say, facilitate his way out of town, he often made a point to return at least part of what he had taken. For instance, on one occasion, he stole $80 from a ranch hand and then later returned $10. In another instance, he robbed a driver of $5, his watch, and boots, yet was considerate enough to return the watch and boots after he finished with them. These types of thoughtful acts earned him the nickname “the Gentleman Bandit.”

Charles Earl Boles  (Black Bart)

 Black Bart was one of the first Gentlemen Thieves I came across and I admit to a sneaking affection for him, and for the fact that he later disappeared and nobody knows what happened to him. After the Civil War, Charles Boles was a former First Sergeant in the Union Army, and was happily making a living as a gold miner when he was forced off his land by Wells Fargo. They had apparently offered to buy Boles’s property they cut off the water supply when he refused. This shut down his mine. Boles was infuriated and cryptically wrote a letter to his wife saying he was going to take revenge against the bank. While he never explained the specifics of his vengeance, we can assume this is when his alter ego, Black Bart, was born.
From then, Black Bart had it out for the bank and subsequently robbed their stagecoaches 28 times. He was civil, never physically harmed anyone, and stole strictly from Wells Fargo and never from passengers. Even the bank described him as being non-vicious and “polite to all passengers, especially to ladies.” Amazingly, he traveled on foot to and from robberies and carried a shotgun so old that it couldn’t shoot (he didn’t even bother loading it). Although he always worked alone, he would often prop up sticks on nearby boulders to make it look like he had a posse of men standing by.Occasionally, he was thoughtful enough to leave poems behind—Wells Fargo was not amused. His last poem read: Here I lay me down to sleep
To await the coming morrow
Perhaps success, perhaps defeat
And everlasting sorrow
Let come what will, I’ll try it on
My condition can’t be worse
And if there’s money in that box
‘Tis munny in my purse.
Black Bart’s unique style and sophistication made him a hero in California (except to Wells Fargo), and it took over a decade before he was finally tracked down by Pinkerton Detectives. He went to San Quentin Prison for four years and was released early, in 1888, for good behavior. He disappeared shortly after and was never seen again. I like to think he went off quietly somewhere with a stash of cash to enjoy a happy retirement.



Excerpt

“She hasn’t got the combination to the safe,” said the manager. “You can scare her as much as you want. We all know you’re not gonna use that gun on us.”

Rebecca’s breath halted as she felt a careless arm drape around her shoulder.

“I don’t need a gun to hurt someone. Give us the combination.” The manager remained mute and turned his face away. “Your call, sir.” He pulled Rebecca around to face him as she gasped in alarm. “Just remember who you’ve got to thank for this, ma’am.”

He pointed over at the manager, who refused to meet her eyes. “That man right there.”

“Anything that happens to her is down to you. Not me,” said the manager.

Rebecca felt herself dragged from the room by one arm. She was pulled into the office next door and pushed against the wall. The man walked over and pulled down the blind before returning to her. Her breath came in ragged pants of fear. “Please, no. Don’t.”

He leaned on the wall, a hand on either side of her head, and pressed his face close. “You were gonna hold this place up. Are you some kind of idiot?”

She blinked in confusion. “Huh?”

The man pulled down his mask, revealing the face of the fair man who had walked into her office looking for Fernsby. “Don’t lie to me, honey. You had the same idea as we did— look at Meagher’s bank account to see where he gets his money. We’ve watched you march up and down outside this place all day, like you were on sentry duty, while you built up your courage. You even got in the way of us doin’ it. What the hell is goin’ on in your head? How dumb can a woman get?”

“You? Here?” She couldn’t quite decide whether to stop being scared or not.

“Yeah. Me.” He indicated with his head. “Now, Nat’s in there, and he needs the combination of the safe. It’s too new and sophisticated for him to crack the combination. You and me need to put on a bit of a show to make sure the manager gives it up.”

“You’re not robbing the bank?”

Jake huffed in irritation. “Try to keep up, Becky. I need you to scream for help so the manager gives Nat the combination to the vault. We want Meagher’s records too.”

She shook her head. “Me? I can’t scream.”

“What do you mean you can’t scream? All women can scream.”

“I can’t. I’m just not made that way.”

He frowned. “Look, Becky. If you won’t scream, I’m gonna have to make you. Let’s do this the easy way, huh?”

“Please, help! Noooo.”

Jake frowned. “You call that screamin’? That’s useless.”

“I told you. I can’t.”

Jake flicked up an eyebrow. “Last chance, Becky.”

“Aaargh—”

“Nope.” A gloved hand reached up to her hat as his eyes glittered with mischief. “Don’t say you weren’t warned, sweetheart.” 



     



     

Monday, August 13, 2018

Cowboys in Chicago



Anyone who has researched cowboys and cattle knows of the Chicago Union Stock Yards.

In 1848, when Chicago was only a hub for transporting livestock from the West to the rest of the country, small stockyards such as Lake Shore Yard and Cottage Grove Yard, were scattered throughout the city along various rail lines.


As the railroads expanded westward, Chicago evolved into a large railroad center. With the increase in the number of trainloads of livestock, the need for a centralized stock center became obvious.
In 1864, a consortium of nine railroad companies acquired three hundred and twenty acres of swampland south west of The Loop, and the Chicago Union Stock Yards was born.


By 1890 the yards were handling more than nine million cows, pigs and sheep a year. That’s a lot of hooves!

But I wanted to know who took care of all those critters.
Before the creation of the stock yards, tavern owners provided pastures and care for cattle herds waiting to be sold. Eventually they built 2300 livestock pens on the 375-acre site.
[They also built hotels, saloons, restaurants, and offices for merchants and brokers, but that’s another blog.]
My next question: who moved all those animals around? I had visions of cowboys working in downtown Chicago.


Now, I will admit that I stretched the truth a bit for the sake of my story, Her Christmas Wish. I needed Will (the hero) to see the possibility of a new livelihood out from under his father’s thumb. So I made up cowboys. (That’s why it’s called fiction.)


In truth, the cowboys only moved the doggies as far as Dodge City, Kansas City, or one of the other termini of the cattle drives. They didn’t drive them all the way to the windy city.
In the early days of the Stock Yard, drovers herded cattle, hogs, and sheep down two wide thoroughfares from the railroad cars to the pens. Then the railroad consortium built more rail lines, delivering the livestock right to the holding pens—and removing the need for the drovers.

It’s a shame really. A thousand head of longhorns mooing their way down Michigan Avenue ahead of a couple of heart-stopping cowboys would have been entertaining—and the stuff of nightmares for poor Mrs. O'Leary.

Tracy

Tuesday, June 26, 2018

Dress like a Cowboy


What's in Your Fifth Pocket?
That little pocket on your jeans. How often have you wondered what the heck it's for? If you're like me you thought that pocket was to store your emergency quarter in the event you got in trouble and needed to phone home--back in the day before cell phones. Turns out this pocket is called the watch pocket. When Jacob Davis and Levi Strauss patented the design for jeans in 1873 with miners in mind, they included a handy place to keep a size 16 pocket watch. They also put in rivets at stress points so heavy tools didn't ruin the pants. Even today the belt loops are spaced to take the watch clip. This style of pants designed for miners was quickly picked up by ranchers. Why dark blue? The color does the best job hiding dirt.

Learning I've been walking around with a watch pocket for decades made me wonder what other vestiges of bygone days are hidden in my wardrobe. It also got me curious about western wear in general. I did a little research on some of the mainstays of this fashion and discovered it's a marriage of function and style, which has not only lent much to the fashion of future generations of non-cowboys, but it's also a style with an interesting history.

If western wear had a family tree, it's roots would originate with the cattle herders of 12th c Spain, the old Castille region to be specific. Low-crowned, wide-brimmed hats, spurred boots, tight pants, bolero jackets, and a sash were the herders costume.



Vaquero in Spanish California, 1830's
When the practice of cattle herding moved to the new world, the costume changed to adapt to new landscapes. In the American west slabs of cowhide were hung from the saddle to protect the rider's legs from brush and cactus--and so chaps were born. Chaps with the hair left on are called "woolies."


Chilling in his woolie chaps

Every piece of a cowboy's wardrobe has a function story as well as a style story. Because he had to travel light, articles of clothing had to prove its worth. Take for instance the bandanna. This square piece of cloth used to keep dust and sun off the neck can also be used as a potholder, a first aid item, ear muffs, a filter to strain the bugs and dirt out of your water, and if you're up to no good, a disguise. Bandanna comes from the Hindi word bandhnu, meaning a tied cloth. Martha Washington, our first, first lady introduced the bandanna to America when she commissioned one to be made with the image of her husband on horseback, starting a popular souvenir trend. The most recognizable bandanna pattern which is still made today is a paisley design from Kashmir called by cowboys, the "Persian Pickle". The paisley pattern comes in every color under the sun, but red is probably the most popular.


The "Persian Pickle" pattern

The cowboy shirt as we know it today with its pearl snaps, pocket flaps, and triangular yoke was largely the design of tailor Jack Weil in the 1940's. Seeing that cowboys often function one-handed, Weil came up with the brainstorm of using snaps instead buttons (what a cowboy is doing with one hand while he needs to rip his shirt off in a hurry, I do not know). He reinforced the parts of the shirt that take the most strain by adding the distinctive yoke. He put flaps on the pockets so all your hoofs picks and what have you don't fall out when you bend over. We can also thank Weil for making the shirts form-fitting to prevent them from getting caught on things. Thank you, Mr. Weil.

The western style shirt has some interesting antecedents. As well as having roots in the vaquero tradition, the cowboy shirt gives a nod to Civil War uniforms. The bib or shield front, which I associate with John Wayne, comes from a Union battle shirt designed by Custer, who in turn borrowed the design from early firefighters.



The Duke in a Bib or Shield Front Shirt 

And from the other side of the Mason Dixon line comes some of the more flamboyant features of the cowboy shirt. The fancy piping, contrasting yokes, ruffles, plaids, and decorative embroidery draw from the Confederate battle shirt. Yes, that's right. I was surprised by that too, but after spelunking into the depths of the Pinterest caves for a good part of the afternoon, I saw some amazing designs. Apparently, the ladies who made the shirts for their loved ones going off to fight, sent them off in style.


"Bloody Bill" Anderson in his Conferderate Battle Shirt


In the early days, western headgear was no different than what folks covered their heads with elsewhere in the country. Picture the cowboy in a bowler hat. Then in 1870 John Stetson moved to the west for his health. He noticed the wide-brimmed Spanish style hats worn in the area and fashioned a hat for himself, which again was based in part on the Union Calvary's blue kepi. When a cowboy admired Stetson's hat, he sold it to him for $5. Hello cowboys in Stetsons!


Stetson Hat Advertisement

Like other items in the cowboy's wardrobe, the Stetson isn't just for looks. The hat is multi-functional. The wide brim afforded protection from rain, sun, and snow. The high crown provides an air pocket that helps insulate the head in cold weather, and in hot weather the hat can be soaked in water to cool the hot cowboy. The v-shaped dip in front of the brim shields the eyes when riding into direct sunlight at certain times of the day, while leaving vision clear either side of it. And in the days of limited means of communication, waving your big hat was a way to signal across vast spaces. Stetsons are made of such a tight weave they can be used as a bucket as in the ad above.

And, finally, speaking of buckets, the term Ten Gallon Hat doesn't have anything to do with how much water a hat can hold. Can you imagine how large a hat that holds ten gallons would be? Try walking around with ten jugs of milk stacked on your head. The term probably comes from the corruption of the Spanish phrase tan galán, meaning something like "so handsome". Or more likely the name comes from the braids on Spanish-style called galóns. A hat with a brim wide enough for ten braids was a ten galón hat.

P.S., I'm not forgetting cowboy boots and belt buckles. I'm deliberately avoiding them for the moment.