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Friday, May 8, 2015

CALL FOR SUBMISSIONS: Memories from Maple Street, USA

Prairie Rose Publications is growing like the proverbial weed. After founding the historical western/western romance publisher in August 2013, Livia J. Washburn and Cheryl Pierson added Fire Star Press, Painted Pony Books, Prayers & Promises Publications, and Tornado Alley Publications. Each imprint publishes a specific set of genres, and all are devoted to nurturing new talent as well as offering established authors a publishing family, not just a book mill. All pay extraordinary royalties and give authors at all stages of their careers unprecedented input into cover design, content editing, and other aspects of the process in order to create reading experiences, not just words on paper.

The latest addition to the PRP family is Sundown Press. Launched in December 2014, Sundown is devoted to publishing traditional westerns and non-fiction written by both women and men. The imprint’s first non-fiction book, The Doctor’s Bag, will be released later this year. Authored by 40-year medical doctor Keith Souter, who writes popular western fiction as Clay Moore, The Doctor’s Bag is an indispensable reference manual covering all aspects of medicine and surgery in the 19th Century.

On May 14, Sundown will release its first novel, Kit Prate's The Outlaw, Billy Starbuck. Sometimes, history needs to be told by the men who make it. (The book is available for pre-order now.)

Today, Sundown announces its first call for submissions. Memories from Maple Street, USA, will be the first in a series of anthologies about real life.

Memories from Maple Street, USA

Theme: childhood memories
Length: 1,500 to 3,000 words
Deadline: September 1, 2015

Growing up is a miraculous time. The journey from the freedom of childhood to the workaday life of modern adults is filled with both poignance and wonder. Along with fond memories of pedaling bikes through honeysuckle-scented streets with a pack of neighborhood friends, playing “kick the can” and stickball on warm summer evenings alight with fireflies, and the inevitable loss of people and places dear to the heart, everyone experiences a seminal moment when he or she knows they’re leaving childhood behind.

Was there a turning point in your life when you realized the world had shifted and nothing would ever be the same? Sundown Press wants your story. From the touching to the humorous, the inspirational to the adventurous, if you have a childhood memory you’ll never forget, now is the time to put pen to paper and recount that special moment.

Editor-in-Chief Cheryl Pierson seeks original manuscripts from women and men across the spectrum and at all levels of writing experience. Unpublished writers are encouraged to submit. All stories must be true, first-person memoirs of 1,500 to 3,000 words. Do not send fiction or “as told to by” accounts.

Email completed manuscripts, along with a query letter, to Cheryl at prairierosepublications@yahoo.com. Please put MEMORIES FROM MAPLE STREET USA in the subject line.

Don't forget: All manuscripts must be in Times New Roman 12-point font, double-spaced, with one-inch margins.


Sundown Press also seeks submissions for how-to books, cookbooks, and other non-fiction works of all lengths. If you feel your manuscript would be a good fit for the imprint, please email it, along with a query and synopsis, to Cheryl at prairierosepublications@yahoo.com. For more information, visit the imprint's website.



Thursday, May 7, 2015

#NewRelease -- EYES LIKE THE SEA by Gil McDonald -- #Giveaway!



I’d been thinking recently about the sea, and how I hadn’t been there in a while, which started me thinking that there were some people who had never even seen the sea. Then the story started with the simple idea in my head that a man had an powerful urge to get to the sea before he died.

I really wanted to create a good wounded hero, the sort we all like to read about, but as so often happens with writing, the woman quickly showed herself to be a wounded heroine too. Lucas Brody stopped his trip to the sea in order to help Martha, with the intention of carrying on his journey once she had recovered. Lucas soon becomes the wounded hero I had originally envisaged after being bushwhacked and tortured following a visit to the recovering Martha.

I think that, as with most writers, I fell in love with Lucas Brown-Eyes Brody as I was writing him, and I hope the reader falls in love with him as they read about him too.


BLURB:

When Lucas Brody stops by a small farm to ask for water for his horse, a beautiful young woman greets him with a pistol in hand. Martha Thompson soon realizes she’s made a mistake—she needs this drifter’s help desperately.

Exhausted, alone, and afraid, Martha collapses and must rely on this stranger for her very life. But can she trust him? Someone is trying steal her land.

Luke vows to discover who is tearing down her fences—and manages to put himself directly in harm’s way. Bushwhacked, tortured, and left for dead by the ruthless gang of outlaws, he struggles back to the farm—only to find it has been burned down. Time is short, and Luke has a decision to make. He’ll do anything to protect Martha, the woman he’s come to love...the woman with EYES LIKE THE SEA...

EXCERPT:

    At her request, Lucas had turned his horse without another word and started to head off her land, still shaking his head at her reply.
    Hell and damnation, she’s a stubborn little beauty, and no mistake. A pretty, china doll, bloody cantankerous mule of a woman. Why in the hell is she trying to keep up the pretense? Anyone with half an eye can see there’s no man about the place.
    Lucas frowned, but kept riding away. Then he heard it again. Her voice was so weak, it was no wonder he’d hardly heard it the first time.
    “Please…Wait… Mister Brody. I—Oh…Please.”
    Lucas turned his horse to see the woman leaning against the veranda post, looking even more fragile and doll-like now than she had a moment ago. One hand pressed tight to her chest and the other stretched toward him like a sleepwalker.


Be sure and leave a comment for a chance to win a free ebook of EYES LIKE THE SEA.

BUY LINKS:    Barnes and Noble              Smashwords    


Wednesday, May 6, 2015

Secret Symbols in Writing

                                                Symbols in Stories

            I remember studying symbolism when I took American Literature in college and in my high school English class.  I thought it was a lot of bunk.  Why would an author stick in a bunch of symbols instead of just coming right out and saying whatever it was they wanted to say?  Well, I couldn’t have been more wrong.  I changed my opinion when I realized that I have been inserting symbols in just about everything I write.  It’s not intentional in most of my work.  It just happens.  It’s like that underlying thought or feeling I didn’t intend to express but then I find I symbolized it just the way we do in our dreams.  

Here are some examples:
            
           In my 1927 time travel, The Violin, I wrote about John’s younger brother’s inability to let go of the hawk whose broken wing he repaired.  He struggles with setting the hawk free until the very end.  Of course, it wasn’t really just a hawk.  The hawk signifies freedom and releasing control.  When it gets right down to it, letting go and going with the flow aren’t as easy as we wish they were.  We want to hang on to what we know because the unknown is just too scary.

The Violin has just been re-launched by for Fire Star Press and is available in print and all e-book formats.


Red Tailed Hawk

            In another time travel, Harmonica Joe’s Reluctant Bride, I used a harmonica as a symbol.  Joe keeps his deceased brother’s harmonica even though he can’t play it.  The harmonica implies his love for his brother, his guilt that he died and that Joe blames himself.  By the way, that harmonica shows up in the sequel, Banjo’s story, in another symbolic way.

Joe's Harmonica

            I intended the piano as a symbol in Cast Away Heart.  A bitter man puts his former wife’s baby grand piano out in the yard and derives pleasure in watching it succumb to the elements until it rots and ends up in the trash.  Ella wants to save the piano and says she can’t understand that kind of bitterness but she, too,  hangs on to the bitterness of her past and that bitterness is about to destroy her future happiness.   So the piano represents how bitterness can only lead to destruction of spirit.

Baby Grand Piano

            In other stories, I have used a Rubik’s cube, an amber coffin, a ghost and even wings as symbols.  I didn’t intend them as symbol’s, but just like those confounding objects in my dreams, they do represent underlying emotions.   Symbols take on a life of their own.  Most of us know the symbols for religions: a cross, a Star of David, and so on. We know by the symbol what the underlying theology is

Religious Symbols

           What would Superman be without the big S in a triangle as his symbol?  Whenever we see that symbol, we know that help is on the way. 

Superman
           
Did you see any symbols in the last book you read? 

Did you write a symbol into one of your books? 


Did you intend to write in the symbol or is it a Freudian slip?

    
Sigmund Freud



Sarah J. McNeal

Sarah McNeal is a multi-published author of time travel, paranormal, western, contemporary and historical fiction.








Tuesday, May 5, 2015

Lessons from Geese


Sometimes I like the veer from my regular format for a blog.  Today is one of those days.  Since many of our followers are writers, thus business folks, I thought this story of the Geese flying in the “V” Formation hits home with many of us who work together. 

A reader may not realize just how much cooperation and coordination it takes to produce a book.  Everything from writing the story, working with a critique partner or two and/or a group to clean up the story before it’s ever sent to the editor.  Then the editor reads your submissions and makes his suggestions. Once those changes are made or sometimes negotiated with a STAT, which means basically “I like it so prefer it left as is.”  Then the copy editor goes over your manuscript to edit (cross the “t’s” and cross the “I’s”) … you got the idea.
 
Cooperation and communications; thus the lesson of the Geese is perfect as a reminder of what we have to do in life, whether you are a writer, the monarch of the family or work as a volunteer or committee member.

I certainly want to thank Grace Ford for sharing this wisdom from our feathered friends about the importance of good teamwork.

I.                    As each bird flaps its wings, it creates an uplift for others behind him.  There is 71 percent more flying range in V-formation than flying alone.  People who share a common direction and sense of common purpose can get there quicker.

II.                  Whenever a goose flies out of formation, it quickly feels the drag and tries to get back in position.  It’s harder to do something alone than together.

III.                When the lead goose gets tired, it rotates back into the formation and another goose flies at the head.  Shared leadership and interdependence gives us each a chance to lead as well as opportunities to rest.

IV.                The geese in formation honk from behind to encourage those up front to keep up their speed.  We need to make sure our honking is encouraging and not discouraging.

V.                  When a goose gets sick or wounded and falls, two geese fall out and stay with it until it revives or dies.  Stand by your colleagues in difficult times as well as in good.


Now, wouldn't it be wonderful if every group who worked together lived by the lesson of the geese?

Monday, May 4, 2015

BLACK BART: THE POET BANDIT........And Legends & Lies... By Gail L. Jenner


Not much  has been written in fictional form about California's most successful stage bandit, Charles Boles (Bowles), aka BLACK BART. His life was an enigma to many; born and raised in New York, he traveled west during the gold rush to California. After trying his hand at mining, and after the death of one brother, he returned to NY, then settled for a time in Illinois. There he married; he taught school for awhile, but when war broke out, he enlisted in the 116th  Illinois Volunteer Infantry. A good soldier, he was wounded and promoted to sergeant. Returning to his wife after mustering out, he tried farming, but found it frustrating and disappointing.

Charles was well-schooled and liked by all who ever met him. But, as my grandmother would have said, "he was a ne'er do well."  Easily frustrated, wanting to make his way but not knowing how, he tried many things, but to no avail. Sadly, he abandoned his wife and daughters after an infant son died. Hoping to make his fortune again through gold mining, he went to Montana, c. 1872. Again, he was unsuccessful. By now, however, he was growing more and more frustrated. 

History does not give us a lot of clues about why or how, but Charles did return to California for gold. But THIS time, he decided to steal it. Dressed in a duster and sack over his head (under which he wore a derby to make him appear taller) and armed with a plugged shotgun, he successfully held up 28 Wells' Fargo stage coaches all over Northern California without firing a shot. Called the poet bandit, he left verse, poorly rhymed and humorous, at the site of two of his hold ups. 

James Hume, Wells' Fargo's chief detective, became obsessed with capturing Charles. Ironically, these two men had more in common than one might assume (including their profiles!). And so their game of cat-and-mouse began; for several years, Charles outsmarted Hume and the lawmen who tried to catch him. Ironically, too, it was a boy who finally shot the bullet that hit Charles (not fatally, just in the hand), which eventually led to his arrest in San Francisco.  He served 4 1/2 years of a six-year sentence in San Quentin.....and then.....?

As noted at the outset, there has never been a novel written about Charles's life -- except for the one I coauthored with fellow historian, Lou Legerton, titled: BLACK BART: THE POET BANDIT -- even though there have been numerous articles and newspaper profiles of this infamous but fascinating man.

Because of my connection to this story, I was invited to be interviewed for an upcoming episode of "Legends and Lies," narrated and produced by Bill O'Reilly, to be aired on Sunday, May 10, on the Fox News Channel. Others have also been interviewed, but I invite you to watch the episode....it was great fun! (The link will take you to a video clip of it....) 

Of course, as with all television programming, it will be interesting to see how little or how much I'm included in the episode!  However, one important note: Lou and I were given the FIFTH only known photograph of Charles, by his great niece, which I did share with the producers of the show. I hope it makes its way into the episode!
I'm ending here with the Prologue of our novel : BLACK BART: THE POET BANDIT.

PROLOGUE
January 21, 1888

            Charles stepped out into the foggy morning and sighed. He knew there’d be a crowd, and he wasn’t disappointed. Reporters, in dark suits and heavy coats, were awaiting his appearance.
            “Mr. Bolton,” called one, raising his pencil, “how does it feel to be a free man?”
            Charles took a long, deep breath. “I can’t lie, fellows. It feels good.”
            The reporter nodded. “You’ve had enough thieving?”
            Charles smiled as he looked around at the blur of eager faces. “Oh, I’m done with Black Bart and my life of crime. For one thing, I’ve grown a bit deaf and need spectacles. That would present a bit of a problem for a stage bandit, don’t you think?”
            The men in dark suits laughed.
            A second reporter stepped forward. “But what of your literary efforts, Mr. Bolton? Are you through writing poetry? You know, our readers enjoyed the verse.”
            A ripple of good-hearted cheers passed through the crowd.
            Charles tapped the brim of the bowler he’d been given by the warden just this morning. “If I managed a bit of a rhyme,” he said, tilting his chin, “like, as not, it might add to my time. It’s better left dead, buried alive, filled with lead—but I thank ye for asking, my fine friend.”
 A round of applause erupted before Charles could continue. “Like I said, sir, I’m done with my life of crime.”
“And what about Mr. Hume? Has Wells, Fargo & Company given you any advice?”
“I would hope Mr. Hume is satisfied that justice was served,” said Charles. In truth, the Wells, Fargo & Company detective had avoided contact with him since his incarceration at San Quentin, but Charles knew the man was following his every move. No doubt he’d been disappointed when Charles was given an early release.
“You’ve not served your full sentence, and it’s been said that Mr. Hume is apoplectic over this turn of events. He says it’s a foolhardy gesture.”
“Gentlemen,” interrupted Charles, “I served my time and did so with no complaints. How can Mr. Hume be anything but satisfied? I’m satisfied,” he added, winking at a man near him.
“Here, here!” responded the man warmly.
Suddenly another journalist at the back of the crowd spoke up. “I do believe he questions your contrite heart, Mr. Bolton. After all, you did manage to fool him twenty-eight times. Perhaps even more than that, if all were told?”
Charles tried to capture the man’s glance. “I was able to keep Wells, Fargo & Company rather busy, wasn’t I?”
Those nearest him smiled and nodded.
“But you’re not repentant?” came the immediate reply from the back.
“Oh, I have much to repent, as do we all,” Charles said, his steady gaze on the reporter who had finally moved into his line of vision. He was handsome, young, and eager. “In fact, I would suggest,” he added, “that when you take the measure of a man, sir, be sure to take the full measure.”
“Very well. Does that mean there is something you’d like to add to your story? Our readers are anxious to know what you are about. Why you chose to rob only Wells, Fargo & Company, for instance.”
Charles grimaced as he considered the question. Tell all?
No, he’d not give these men, or anyone, such satisfaction. “May I get back to you?” He faced the rest of the crowd. “For now, I just want a beef steak and a glass of ale.”
“Indeed,” returned another man.
Just then a coach pulled up.
The crowd fell back and gave Charles clear passage even as they scribbled across their notepads. He moved past them, nodding to those closest.
“Good luck, Mr. Bolton.”
Charles stopped.
The earnest young journalist had moved to the end of the line of dark suits and his gaze was clear and focused.  “Remember, sir, I’d appreciate your story in full, if you ever have a mind to share it. I work for the San Francisco Examiner,” he added, “and the name’s Randolph Hearst.”
 +++++++++++++++++++++++++++++++++++++++++++++++
For more on Gail L. Jenner's writing, visit her author site on Prairie Rose Publishing
Or visit: www.gailjenner.com

Sunday, May 3, 2015

DUST IN THE WIND or Researching History and Death


THE PATHFINDER


Post copyright 2015 by Doris McCraw

https://youtu.be/tH2w6Oxx0kQ


How many of you have seen the movie "Bill and Ted's Excellent Adventure"? A 'live' lesson in history. There is the scene where Bill and Ted meet with Socrates and they quote from a song by Kansas, that makes me laugh every time. https://youtu.be/TiMO3PWziZk

I have noticed that death is a catalyst in a lot of my writing. I don't think I am morbid, but it does touch all of us. In "Home For His Heart", both Sam and Clara have lost parents early. Losing someone, while normal, seemed more prevalent in the Old West. The landscape, the people, the wars, all created situations where loss was a large part of lives.












In Victorian times, many were the photographs taken of the baby who died, the parents holding them, prior to placing them in the casket for burial. It was there way of keeping the memory alive. Weaving hair and placing it on a brooch was another way of remembering. Back East and in England there were prescribe periods of mourning, with designated clothing to be worn. Here is a link for a brief overview: http://www.tchevalier.com/fallingangels/bckgrnd/mourning/ . Mysteries, such as the "Silver Rush" series by Ann Parker, usually have a death. We may sometimes forget the West we want to create also had many of the habits and rules brought by those from back East.

For the deceased, they would either have been embalmed, if you had someone with the skill to do so, or simply placed in a casket or grave. If the ground were too hard or frozen, the bodies may have been placed in a cool place until burial was possible. The chapel in Evergreen Cemetery, built in 1909, has 'racks' to place the bodies or caskets until such time as the ceremony takes place. Below are photos of the 'bloat balls', as the cemetery calls them, the shelves and the downstairs.
"Bloat Ball"

Interior Downstairs, Evergreen Chapel


When the research bug strikes, one of the first places I go is to a cemetery. If I'm stuck with finding names for my character, I go to the cemetery. Now before you think I'm morbid, the stories told on the stones are priceless. My current research is on a town, a very short lived town, in southeastern Colorado. It came into existence in the late 1880's and was gone by 1910. Nothing is left of the town site, it is plowed fields. There may be a cemetery, but I need to find it, and photograph the headstones. Newspapers can tell some of the story, but many times they contradict each other.

Headstone in cemetery near SilverCliff, CO


Of course, medicine was not as we know it today. A majority of doctors practiced homeopathy, there were no antibiotics, and germ theory was in its infancy. Colorado was a place many came to recover from consumption, which was considered any wasting disease. The air was clean and clear, unlike the coal laced air in the cities back East. Many were those who came for the cure, or to cure those who were coming. The first documented woman doctor in Colorado Springs, Julia E. Loomis, born in 1816, was one who came to cure. She graduated medical school in 1870-71 and arrived in Colorado Springs around 1876.Unfortunately she passed away in 1880, at sixty-four.

Julia E. Loomis headstone


As you can see, life and research are like dust in the wind. It is scattered this way and that. Now lest you think I'm going to leave you on such a depressing note, here is another clip. This one from the second Bill and Ted adventure, where the two are playing games with death. https://youtu.be/PA5ryowAyLk

To a wonderful, creative and beautiful May. Let you thoughts be joyful and follow the wind as you create your worlds and characters.

I will leave you with a snippet from an upcoming work:

Drew looked down, wondering if he should set the doctor straight. Rafe looked at him with such intelligence and a slight shake of his head. That convinced Drew against correcting the doctor's impression.
"He is special, I'll give you that," Drew replied.
"Well, I've got to be going, been away from the office too long, and it's a bit of a trip back. Unless you have a relapse, I doubt I'll need to return. Just keep that arm immobile for a couple more days to let your shoulder heal." With that advice, the doctor left the room and Drew relaxed. So he'd survived the bullets and Lizzie had brought him back to her cabin. Drew was grateful, but still didn't know where he stood. Still pondering the question he closed his eyes in thought and was soon asleep.

Doris McCraw/Angela Raines:
Author, Speaker, Historian-specializing in Colorado and Women's History.





Friday, May 1, 2015

CALL FOR SUBMISSIONS: Nine Deadly Lives

Nine Deadly Lives: An Anthology of Feline Fiction

Theme: The magic and mystery of cats
Length: 6,000 to 8,000 words
Deadline: August 15, 2015

Cats...charming, lovable creatures or deadly, razor-clawed predators? The mixture of sweet and dangerous is one of the things that makes cats endlessly fascinating and appealing.

But no matter how well we think we know our feline friends... Do we really know them?

Nine Deadly Lives: An Anthology of Feline Fiction will present nine stories about extraordinary cats. Sinister or humorous, from detectives to murderers to cats with psychic abilities and felines that remember past lives, if you've written a cat tale with a delicious twist, Fire Star Press wants to see it.

Stories should be 6,000 to 8,000 words, with no graphic violence, sex, or language. Deadline is August 1.

Email the completed manuscript, along with a query letter, to Livia Reasoner at livia@flash.net. Please put NINE DEADLY LIVES in the subject line.

Don't forget: All submissions must be in Times New Roman 12-point font, double-spaced, with one-inch margins.

What are you waiting for? Cat got your keyboard? Submit!