We can never know about the days to come. But we think about them anyway. This is the opening line of Carly Simon’s iconic 1971 song, Anticipation. These words have been especially poignant for me during these past few months. In 2020, my daughter and I had scheduled a vacation in Denmark, but it was canceled due to COVID. We now plan to take that trip in a few weeks. I’m looking forward to the joy of vacationing and seeing the sights I’ve been hoping to visit for so long. Even so, I have some trepidation about the war in Eastern Europe and the potential for another COVID spike.
Thinking about these polar opposite
feelings has led me to consider, just what is anticipation? One of
Merriam Webster Online’s definitions is: visualization
of a future event or state. This is something we can all relate
to—anticipation of Christmas morning, or a blind date, or even waiting for
ketchup to emerge from its bottle. These visualizations can be either hopeful
or worrisome, or a combination of both.
Okay, so can I characterize anticipation
as an emotion? Yes, according to Wikipedia, “Anticipation is an emotion
involving pleasure or anxiety in considering or awaiting an expected event.”
But Brene Brown’s Atlas of the Heart
did not include Anticipation as one of the 87 emotions she listed, although
both hopefulness and worry are included. Maybe this categorization doesn’t
really matter. What does matter to me, both personally and as a writer, is the
impact of anticipation on life.
In The Legacy, Anna looks forward with hopefulness–-pleasurable anticipation—to being reunited with the love of her life, Jorn Stryker. In her diary she writes:
…we have our wedding to plan, and I
hope he will show me his vast farm, which he described so proudly when he told
me of his life in Iowa. Many times, I have imagined what his house looks like,
since I am soon to become its mistress. I wonder how many servants we shall
have. Probably quite a few, since he has helped so many people emigrate from
Denmark.
Oh Jorn. Your Special Girl is here and ready
to begin our life together.
If her expectations are met, the story
goes one way. If not, it takes a far different turn.
In The
Claim, Katie’s fiancé has arranged passage for her to join him in the
Klondike. When she reaches her destination, it’s not at all what she expected,
leading her to worry about her future:
Katie stood on
the deck of the steamer and studied the deserted town through the drizzling
rain. Haphazard drab, log-cabin buildings. Sloppy streets of mud. Nothing that
looked like a theatre. She swallowed against the sour taste rising in her
throat.
Only a few scruffy
residents met the boat, and Charles was not one of them. She pulled her cloak
tighter around her.
“Are you sure
this is Forty Mile?” she asked the captain again.
“Yes ma’am,” he
replied in his annoyingly patient tone. “But these folks say that most of the
town moved upriver to Dawson when gold was discovered in that area last year.
I’m sure your Mr. Gasnier
has probably gone there, too.”
The captain was
probably right. There would be no point in operating a theatre in a town with
too few people to attend the plays.
A woman with a face
painted bright with scandalous amounts of rouge and lipstick moved along the
rail, closer to Katie. “You mean Frenchy Gasnier?”
Katie frowned in
distaste. “His name is Charles. He is my fiancé.”
The gaudy female
stared openly at Katie. “Then I guess it can’t be the same guy.” A garish red
grin broke across her face. “Frenchy’s going to marry me.”
Katie forced a
smile. “Maybe they’re brothers.”
The woman’s rosy
mouth formed a pout. “Maybe. But Frenchy didn’t mention having a brother.”
Neither had
Charles. Still, how common could a name like Gasnier be up here in this
God-forsaken country?
“I think we
should go on to Dawson,” the woman said, more to the captain than to Katie.
“Our men most likely moved down there with everyone else.”
The captain’s
gaze flitted from her to Katie. “There will be a slight charge for the extra
passage.”
“I’m sure Charles
will pay you the difference when we arrive in Dawson.” Katie had little money
left in her handbag. “He bought my passage to Forty Mile.”
“If he doesn’t,
you’ll be responsible for it.”
“Yes, sir.”
Katie’s arrival in the north is not what she had anticipated, and
trepidation begins to set in. Will Charles meet her in Dawson? If so, will she
realize the life he’d promised her? If not, what happened to him?
Anticipation can lead to realizing joyful expectations, to
disappointment, to disorientation, to preparing—physically and/or
emotionally—for negative outcomes and a myriad of positive or negative
emotions. This mechanism allows me as a writer to show the reader a deeper
understanding of a character.
And personally, anticipating both positive and negative potential
outcomes provides me at least a modicum of mental preparation for however an
event plays out. Perhaps, in a way, it’s a self-preservation mechanism. At any
rate, Carly Simon’s observation of anticipation captures a universal human
behavior we can all relate to. And I’m looking forward to vacationing in
Denmark despite the mix of hope and worry thinking about it engenders.
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Excellent excerpts! You paint the emotions, hopes and fears of your characters very vividly and their anticipation draws the readers into the stories. In both the reader is wondering how the young women will fare.
ReplyDeleteI hope your holiday in Denmark goes really well, Ann.
Thank you, Lindsay, for your kind words. I had a wonderful holiday in Denmark, although when I spoke what little Danish I know it must have been with an obvious American accent, because people often replied in English:)
DeleteReally vivid excerpts, painting scenes as well as delivering evocative moods. Hope really is a way of building obstacles for characters to overcome. I really hope your anticipated trip works out for you. Denmark is beautiful.
ReplyDelete