THINGS I LEARNED
ON MY WRITER’S JOURNEY by Elizabeth Clements
Why is it when I want to go back to
sleep, my mind wakes up and gets my thoughts roiling? Then when I finally cave
and go to the computer, my brain takes a hike and I’m scrambling to remember my
order of thoughts? So frustrating. I come up with way too many plot or blog
ideas or snippets of dialogue when I’m snuggled warm and relaxed in bed. That’s
what happened, again, to me today and I became compelled to share my thoughts.
The best place to start is at the beginning.
(Note: I started
this over two weeks ago after a midnight scramble to write my previous blog and
get it posted. So I began this by just jotting down points. Some I filled in,
some I left for later. I was going to finish it ahead of time on Friday when I
received my manuscript for a final proofread. So, here I am again on Sunday
night past midnight, scrambling to finish this. And no time to edit., So,
please forgive any typos etc. I know most of you have experienced some or all
of my musings, so it’s now for the benefit of someone who wonders about
becoming a writer.)
Writing
styles change. You just
have to read some of the classics, like A Tale of Two Cities by Dickens or The
Canterbury Tales by Chaucer with their long narratives that have you itching to
“get to the story!” I was always a voracious reader until my second pregnancy
when I had twins—with three boys two and under, I was lucky if I had time to
brush my teeth let alone read. Then two years later along came my fourth. I
guess I wasn’t reading then, either. <grin> And yet the desire to write
had always smoldered deep inside me since I threw a Harlequin against the wall
and muttered, “I can write better than this.”
That thought must have festered for
another few years until one day in the
midst of cooking breakfast for my four little guys, a plot idea formed and blew
my mind. As soon as I could, I scribbled it down—but why would I want to write
about the Yukon Gold Rush? Actually, it
turned out to be the backstory for my first book, a contemporary romantic
suspense, which Harlequin was not publishing back in the 1980s.
Research The
beauty of research is it provides authenticity to your story; the drawback is you
get so involved in research it becomes a maze of information, spurring you along
another path, and another until you’re hopelessly overwhelmed with all that
information. But sometimes you find some really neat nuggets that add punch to
your story—and that’s a good thing.
Ideas Write down ideas, snippets of dialogue, a scene that
pops to mind. At the moment you believe you won’t forget something so
deliciously good and then slap your forehead later because you can’t remember
it. You soon learn to carry around a notepad and pen in case inspiration
strikes. (Now people can do it on their cell phones).
There was a time
when I’d keep a legal pad in the drawer by my bed. One time I had a
particularly vivid dream, and wrote it down, eyes closed so I wouldn’t lose the
image in my head. When I looked at it hours later, the words slanting across
the page were utter gibberish.
Stream of
conscious It’s wonderful when this happens. For me it begins
either by telling someone about my work in progress or by opening a document
and typing everything I know so far. I have surprised myself a few times when suddenly
a scene takes off, complete with action and dialogue. And action begs reaction.
This becomes what I called my broken string of pearls.
Broken String
of Pearls When I first
scribbled that story idea down, I left it on the dining room table. Whenever I
had further inspiration, I’d write it on another sheet of paper. Then a
different scene and a different pile. Then I’d think of a reaction to an
action, so added that sheet to the pertinent pile. Soon there were several
piles, some related, some not, but the piles grew. Then one pile followed
another pile that spread over the table. This became my broken string of
pearls. What a happy day when I put the last pile under the stack and it became
my unbroken string of pearls. Whimsical, I know, but that’s how I wrote my
story.
I still remember
the Saturday noon in November when I joyfully typed The End. I was
euphoric. My family wasn’t. We had beautiful wrought iron gates made into the dining
room from the big kitchen area. And there stood my four little guys 2, 4, and 6
, hanging onto the iron swirls, with their father standing behind them, all
wearing such woebegone faces. “We’re hungry, Mommy.” I think I probably gazed
at them like aliens had just landed. How could they be thinking of food? I just
finished writing my first book!
Edits,
Rewrites and Proofreading
Writing for me comes easy, it’s the editing I dread (and still do, but not quite
so much) because back then I didn’t know a thing about editing…and years later
I’m still learning. Back in the 1980s there was no one I could go to for
guidance. I belonged to a writers club, but I was the only novelist and a
romance writer at that. They wrote poetry and short family anecdotes or memories.
So I typed my first book a second time, and some pages more than once. If you
edited or added too much, I had to retype the entire chapter. I had an
excellent second-hand IBM Selectric with a correction tape, but still it wasn’t
a word processor. That came a few years later. Finally December 31st
I sent it off, with great hopes, to Harlequin in Toronto.
Scissors…..don’t
cut a scene/dialogue…..copy and paste it into a separate document. Read the
scene three days in a row. If you still feel the same after the third read,
then cut the scene/dialogue. One day you may love it and the next day you hate it.
So, what’s going on in your life the day you hate your writing and think it’s
garbage? Did you get bad news, are you feeling under the weather, worried,
anxious, etc., etc. Our writing or editing perception is affected by our mood.
Copy, cut, paste, save in a new document. Make a folder for such deleted
scenes/dialogue. Who knows, that “clever” piece of dialogue might fit elsewhere
or in another book.
Brainstorm with yourself or a reader or a writer. It’s amazing
how just one comment can have you racing down a new path or solve a problem.
Forget your
English teacher. This is
extremely important. English teachers may disagree, because it’s their job to
teach you to write right. In high school. Well, you’re not in high school
anymore <grin> Proper sentence structure was drilled into me in high
school. It was further absorbed through the hundreds of books I’d read,
especially the historicals of kings and queens written by Jean Plaidy. Thus,
it’s little wonder why my first book was rejected. I wrote like I’d read, with
complete sentences, even for dialogue. I was so green that I didn’t know what
the editor meant when she said my writing was old fashioned and needed
tightening up. There’s been a big shift in writing styles over the years,
especially lately.
Well, I kinda
understood the old-fashioned part—I could have my hero and heroine go to bed
together and then get married. (That wasn’t what the editor meant). But what
did the editor mean by tightening up? I think I still have that problem as my
blogs tend to get too long, but at least I’ve cut out a gazillion adverbs and
my characters do not always speak in perfect sentences. I even have one word
sentences! <gasp>. My English teacher would probably roll over in her
grave if she read my books—a far cry from the essays and book reports I had to
write.
Stream of
conscious It’s wonderful
when this happens. For me it begins either by telling someone about my story so
far or by opening a document and typing everything I know so far and suddenly a
scene takes off, complete with dialogue.
Writing buddy….to a certain extent it helps if you have similar tastes
in reading other than being writers, but it’s not necessarily vital. It’s fun
to bounce ideas off one another like a ping pong ball.
Procrastination Ah, yes, I confess this has been my biggest downfall for years, and not
just with my writing. So much lost time, yet it hasn’t all been bad because
even though I hadn’t been writing, I was still often thinking about my stories.
The sub-conscious is a wonderful helper. It’s like a computer silently working
in the background, wrangling with an issue until suddenly it spits out a
solution. I find it particularly useful to think about an issue I’m trying to
resolve as I hope to drift off to sleep. I tell my Muse that I have a problem,
tell what it is, and ask for a solution. Sometimes it comes quickly, other
times it comes when I’m in the middle of something and can’t write it down.
Attend workshops, on-line courses, writer groups.
Caution Be careful with whom you share your work, especially
if you don’t know the writer very well. Stealing isn’t just restricted to break
and enter.
Editing Get the first draft down, then edit. I’m not entirely
a panser, but when I get the bit between my teeth I do gallop as long as the
story idea lasts. Some people edit as they go; others finish the book, then
edit. The latter can be daunting, to edit an entire book; but the person who
edits daily may feel discouraged that she/he doesn’t have many pages/words to
show for hours at the computer. One really has to learn what works best.
Trust your instincts and listen to your inner voice.
Read, Read,
Read Read, study, learn,
apply Discern what you liked about the story and what you didn’t like and why.
Then apply to your own writing what you’ve analyzed.
Study books for an author’s style, Analyze what you like
and don’t like and learn.
Enter
contests. I haven’t entered
any contests in years. They were helpful back then when one actually received
comments from the judges. I understand that has changed and now all one gets
are numbers rating your story from 1-10 or 1-5.
Value the good comments from judges, but really learn from
the negatives. That’s when one truly learns. Everyone wants praise, naturally,
but we really begin to learn when we analyze the comments from the low
scores….that is if contests even give feedback.
Trust your
instincts with Dialogue I’ve forgotten how I received some wonderful
advice from Dorothy Garlock about dialogue. She may have been a judge I had in
a contest I’d entered years ago or perhaps I wrote her a fan letter. In any
case, we exchanged some e-mails about dialogue.
Dorothy wrote
wonderful books of the early days of the West being settled. A lot of grownups never
learned to read, including men. Their grammar was atrocious, but Dorothy wrote
their dialogue honestly. Beautiful stories, so interesting and realistic that
even my husband became a big fan. I always had pocketbooks laying around and he’d
pick one up to read and got hooked. He read everyone, at least thirty of them.
Dorothy told me to listen to my instincts, and not what the judges marked me
low on.
So when you read
my published books, you’ll find outlaws and even the good guys who drop their g’s
and say gonna and wanna, and ain’t, etc. If you eavesdrop on people’s
conversations, say in a restaurant, you’ll find not everyone speaks in perfect,
high school English sentences. Even me. <grin>
Log Keep a log of each character’s eye and hair color,
scar, names of their horse or pet, etc. Create a mini-bio for each character.
This is even more important if you write a series with reappearing beloved (or
hated) characters in earlier books.
Track your story time span on a calendar. I learned a
valuable lesson from this when I read the finished first draft of Beneath A
Horse Thief Moon. Well into reading it, I suddenly realized I had missed an
entire week in my story, thanks to the importance of moonlight in my story. A
full moon doesn’t last a week, or even three days. There are days of moonless
nights, too. You also have to consider how many days before the moon begins it
new cycle. Luckily, I was able to fix
that missing week by saying something like, a week later…
Here’s what I did.
I drew up a calendar and accounted for every day of the month of September, 1897. I
found a link that gave me information of the moon's phase that month, including the week days,
etc. I applied that information to my calendar. If there was no action on a
certain day, I’d simply write in n/a (no
action) but if something happened, I’d jot a word or brief notes i.e. round-up for the
three or four days it took Sara to round up her missing cattle, etc.
At a glance I had
a very brief summary/time line of the book by the time I typed The End.
It also made it easier to write a synopsis from this calendar outline. This can cover a day, a week, a month, but helps keep you on track. I highly recommend it, especially if there are gaps in your writing periods. We think we won't forget, but we do.
Negativity Stay away from it. Run from it. Grind it into the
ground with the heel of your shoes. Some people will tear you down for selfish
reasons, or jealousy. Believe in yourself and believe in your dream.
Procrastination Don’t procrastinate. Repeat after me. Don’t
procrastinate.
Forgive yourself if you procrastinate. Forgive yourself even
if you don’t procrastinate and just feel lost or have no self-confidence. It’s
so much easier to find writing support now on the internet compared to my early
writing days when the internet highway was still someone’s dream. Just be
careful. There are a lot of horrid people just out to steal your ideas…or your
money. A lot of people make money off writers…remember the gold rush—it was the
miners out in the snow or heat, panning for gold, but it was the storekeepers
and saloons that raked in the money and got rich.
Cry Have a good cry over disappointment and soldier on.
That was my big mistake. I didn’t handle rejection well. Instead of editing
that book, I’d just put it aside and start a new book. I have quite a
collection now, somewhere in boxes, collecting dust.
Celebrate each step toward finishing your book. As the saying
goes, even small steps a journey makes…even a finished book.
Don’t Give Up
I know some of my
musings are old hat for the seasoned writers, but if there is a reader here who
dreams of becoming a writer, well, I hope there’s a nugget or two in all these
words that will help you in your writing journey.
Excerpt Beneath A Fugitive Moon
“The
cow jumped over the moon,” Mike said a week later. He looked up from the
book spread out on Jolene’s table in her cabin. “That don’t make no sense,
Jolene. Cats don’t play a fiddle and cows don’t jump over the moon.”
“That doesn’t make any sense.”
Jolene said.
“Yeah, so you agree, too?” He
slammed the book shut.
Jolene smiled. “The correct grammar is
doesn’t, not don’t. And you don’t use two negatives in a sentence: don’t and
not.” She opened the book and found the page from which Mike had just read.
“Do kids actually like this kinda
nonsense?”
“Nursery rhymes have been around for
a long time.”
“Nursery rhymes!” Mike gaped at her.
“You’re teachin’ me nursery rhymes?”
Jolene reached up and stroked his
cheek. “Don’t look so offended, Honey Bear. Trust me, nursery rhymes are a lot
more interesting than the primary books I have to use for my beginners. Besides,
they have great rhythm and make children laugh.”
“Well, I ain‘t laughin’. Not
laughing.” But Jolene using his nickname took all the starch out of his
indignation. After all, she was the teacher and he the student.
Clearing his throat, he bent over
the book and repeated from memory by just hearing it once, “The little dog laughed, to see such sport,
and the dish ran away with the spoon. That’s dumb. A dish can’t do that.”
He looked up. “I’m still not laugh—what’s the matter? You got tears in your
eyes. What happened?”
Before he could move, she leaned
forward in her chair, wrapped her arms around his neck and pressed her lips
against his open mouth. Now kisses, those he could understand and gave right
back. He’d been wondering when she’d kiss him again. Every time he entered his
bedroom, he was swamped with memories of her kissing him on his bed.
Jolene drew back. “You wonderful,
wonderful man.”
Wonderful
I can take. Has a nice sound to it. “I am? How so?”
“You’re such a quick learner.” She
dashed away her tears.
He frowned. “I am? Then how come
you’re cryin’…crying?” he corrected. He loved the soft shiny glow in her eyes.
He liked having her look at him like that.
“Because I’m so happy.”
Huh?
Cryin’ because you’re happy? “That don’t make no...doesn’t make sense.”
“See what I mean? Already you’re
correcting your grammar, Mike. I can’t get over how fast you learn. It’s only
been a week and already you know the alphabet back and forward. You don’t just
read one word anymore. Since our last lesson, you’ve recognized a string of
words. You are amazing. Absolutely amazing.” And she kissed him again.
“Your kisses are amazin’, too,” he
said a moment later, his breathing ragged. “But I think I need a little more
practice on them.” Holy smoke! Did I just
say that?
For sure she’d slap his face.
Instead, she drew his head down, framed his cheeks with her soft hands and
kissed him with a gentleness that squeezed his soul.
Facebook: https://www.facebook.com/elizabeth.clements.549
Goodreads: https://www.goodreads.com/author/show/17898781.Elizabeth_Clements
Link for Diamond Jack’s Angel/Hot Western Nights Anthology
https://www.amazon.com/Western-Nights-Karen-Michelle-Nutt-ebook/dp/B07T9F21B5/ref=pd_rhf_se_p_img_3?
https://www.amazon.com/Beneath-Horse-Thief-Moon-Prairie-Trilogy-ebook/dp/B07BHQNBDW/ref=as_li_ss_tl?
Beneath A Horse
Thief Moon: http://amzn.to/2FVunRW
https://www.amazon.com/Beneath-Fugitive-Moon-Prairie-Trilogy-ebook/dp/B07SZ4LHVS